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Continental School (20th Century): A busy Dutch town square, oil on canvas, H 60 x W 75cm £100-200
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MVT (Contemporary): Les Blanches Noir, abstract composition, signed, titled & stamped verso & dated 2003, H 195 x W 195cm £100-200
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Continental School (20th Century): Floral still life, oil on board, indistinctly inscribed verso £80-120
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Alistair Grant (British, 1925-1977): Reclining nude, watercolour & chalk, circa 1970, signed lower right, H 53 x W 35cm £200-300
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Peter Howson (British, b. 1958): Child, etching, from the Bosnia series, 1994, hand signed & numbered 40/50, H 15 x W 10cm £120-180
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Norman Ackroyd, R.A. (British, b. 1938): Study for Chateau La Mission Haut Brion, etching & aquatint, 1986, hand signed in pencil, from the edition of 30, H 19 x W 25cm £100-150
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David Jones (British, 1895-1974): Sorrel Nag Offers Hay to Gulliver, wood engraving, from 1925 edition of Gulliver's travels, hand signed & dated in pencil, H 7 x W 6.5cm £200-300
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Sidney Horne Shepherd (British, 1909-1993): A reclining female nude in the manner of Picasso, ink drawing, signed lower left, H 22 x W 34cm £80-120
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Rachel Anne Le Bas (British, b. 1923): 'Spring afternoon, Winford', oil on canvas, signed lower left, titled verso, H 55 x W 75cm; together with a further landscape by the same hand, oil on canvas, H 50 x W 75cm (2) £150-250
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Nikolai Kalmykov (Russian, 1924-1994): Still Life with Summer Flowers & Fruit, 1950, oil on canvas H 32 x W 46.5cm £250-300
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Sergey Marshennikov (Russian, b. 1971): Resisting Temptation, oil on canvas, H 65 x W 45cm £3000-5000
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Sergei Patikovski (Ukrainian, 20th/21st Century): Coloured Fields, oil on canvas, H 67 x W 100cm £800-1000
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Anatoliy Demenko (b. 1943): Windy Day, oil on canvas H 60 x W 79cm £250-300
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Tracey Emin, R.A. (British, b. 1963): 'HRH', polymer gravure etching depicting Queen Elizabeth II to mark her Diamond Jubilee, hand-signed in pencil, dated 2012 & numbered 122/200, impression size H 29.5 x W 20.5cm, sheet size H 44 x W 33cm £400-600
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Continental School (20th Century): A Surrealist study depicting figures in a coastal landscape, oil on board, signed with monogram, H 24 x W 45cm £200-300
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Lam Dong (Vietnamese, 1920-1987): Figural study, monochrome watercolour, H 50 x W 70cm, together with further two nude studies bearing artist's seal mark (2) £80-120
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Marcelle David (French School, early 20th Century): Cezanne's studio, gouache, signed lower right & dated 1937, H 36 x W 50cm, mounted but unframed £50-80
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Follower of Johannes Akkeringa (Dutch, 1861-1942): Fisherman unloading their catch in a coastal landscape, oil on canvas, signed lower right, H 36 x W 52cm £80-120
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Attributed to Emil Bizer (German, 1881-1957): A wooded winter river landscape, oil on board, signed with initials lower right, H 35 x W 48cm, indistinctly inscribed & dated 1934/5 verso £80-120
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John Edwards (British, 1938-2009): Three monochrome abstract studies, dated 74 & 77, the largest H 37 x W 37cm £150-250
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Attributed to Gyrth Russell, R.I, R.O.I. (British, 1892-1970): A Venetian Canal, unfinished oil sketch on canvas, signed lower left, H 49 x W 59cm £200-400
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Laurence Stephen Lowry, R.A. (British, 1887-1976): Peel Park, Salford, offset lithograph printed in colours, 1975, signed in pencil, published by Venture Prints Ltd, Bristol, with the Fine Arts Trade Guild blindstamp, H 37.5 x 75.5cm £700-900
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Edith Le Breton (British, 1912-1992): Six hand painted plates by Edith Le Breton of local Altrincham scenes to include Little Moreton Hall; Dunham Old Saw Mill; Pear Tree Cottage, Dunham Massey; The Smoker Inn, Knutsford; Old Cottages, Bowdon; & a dog, 'Our Patch', variously signed & titled, each D 16.5cm.Provenance: Private collection, Dunham Massey. Acquired by the present owner from a former friend of the artist for whom the plates were personally painted (6) £500-800
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Edith Le Breton (British, 1912-1992): A crowd watching a match in winter with Northern industrial cityscape beyond, oil on canvas, signed lower right, H 55 x W 75cm, unframed £1000-1500 | Books | |
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Three Masonic Leather Bound Books: 'The Masonic Minstrel' (1828); 'Illustrations of Masonry' by William Preston (1801) and 'Masonic Miscellanies in Poetry and Prose by Stephen Jones £250-350
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Beatrix Potter Association Copies from Leslie Linders Church Childrens Library: To inc. Tailor of Gloucester 1903, Squirrel Nutkin 1903, Benjaman Bunny 1904, The Pie & The Patty Pan 1905, Mrs Tiggy Winkle 1905, Jeremy Fisher 1906, The Tale of Ginger & Pickles 1909, The Flopsy Bunnies 1909, Timmy Tiptoes 1911, Samuel Whiskers 1908, Pigling Bland 1913, Appley Dapplys Nursery Rhymes 1917, Little Pig Robinson 1930, All these titles are hand bound for the Churches Child Library & have "The Buckhurst Hill Congregational Junior Church Library" bookplate & hand written to spine. 5 other books published by F. Warne & Co Ltd also have the bookplate for the church. All the books are by F. Warne & Co Ltd except Squirrel Nutkin and were bound by and for Leslie Linders Church Library,Leslie Linder (1964-1973) is recognised as writing the seminal works on Beatrix Potter, he decyphered her code in her diaries and wrote numerous books about her, his collection of over 280 drawings and 40 First Edition books is available to the public as The Linder Collection. £500-800 | Photographs & Ephemera | |
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A 27th Dover Garrison Troop Scout Logbook 1923: As kept by Scout Leader J Norton C S M I with all history of discussions with Troop; together with pictures and cut-outs from papers. Signed by Lord Baden Powell £100-200
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A late 19th Century ebonised and brass inlaid mantel clock, Grohe, Paris: The enamelled dial with Roman numerals, eight-day movement, the case inlaid with brass foliage and mother of pearl chariots, H 39cm x W 42cm £200-300
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A Thwaites & Reed Bracket Clock and Bracket: C1880 marked to dial "Thwaites & Reed Clerkenwell 14770". Multi-dial face with slow/fast and chime dials above clock dial. All with silver chapter rings. Ebonised case with ormolu fittings, double pierced sides and back. Twin train movement playing eight-bell musical chime, with ebonised ormolu bracket, clock H 23" x W 17" x D 11" - Bracket H 15" x W 19" x D 13" £2000-3000
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A Victorian Ebonised Rectangular Table: On knopped turned legs, the top with bowed ends inlaid to the centre in brass with scrolling acanthus. Decorated overall with mosaic bands of mother-of-pearl, the arched stretchers centred by an urn, H 68cm x W 110cm x D 75cm £300-400
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A George III Mahogany Bureau: The fall front enclosing a fitted interior above three long cockbeaded drawers on bracket feet, H 56cm x W 100cm x D 109cm £300-500
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A 19th Century Kingwood, Purple Heart Walnut and Ormolu Mounted Bureau de Dame: In Louis XV style attributed to Edward Baldock of bombe form, inlaid overall with floral marquetry, the fall front enclosing six drawers, the centre with red velvet writing surface on tapering cabriole legs, H 54cm x W 94cm x D 88cm £1200-1800
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A French Marble-Topped Kingwood Chest of Drawers: In Louis XVI style inlaid with foliage, the quartered veneered sides with fans. Acanthus leaf cast mounts, H 41cm x W 72cm x D 85cm £500-800
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An Early Victorian Rosewood Davenport: The top with brass gallery and green tooled leather writing surface enclosing four drawers. Above are four long drawers and opposing blind drawers, H 58cm x W 59cm x D 85cm £400-600
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A Late 19th Century French Bergere Tub Chair: Of small proportions, the frame carved with acanthus leaf and having a cane seat £120-180
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A Welsh Dresser: 18th century, oak in two sections, the top half with a moulded corniche above open shelves with boarded back, the base with three frieze drawers above 3 centre drawers, flanked by panelled doors on block feet. H 206cm x L 155cm x D 47.5cm £800-1200
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A Bureau: George III, mahogany, fall front opening to reveal a drawer & pigeon hole arrangement above four drawers on wide bracket feet. H 108cm x W 93cm x D 52cm £300-500
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A Bureau: George III, mahogany, fall front, opening to reveal a drawer & pigeon hole arrangement, above 4 drawers on wide bracket feet, H 97cm x W 48cm x D 47cm £200-300
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A 17th Century and Later Oak Chair: The shaped back carved with flowers and foliage on turned baluster legs, joined by stretchers £300-500
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A 17th Century Continental Oak Table: With a rounded rectangular three-planked top held by removal pegs, the frieze fitted with three drawers raised on turned and cup and cover legs, joined by stretchers, H 92cm x W 192cm x D 79cm £2000-3000
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A Late 17th/Early 18th Century Oak Joint Stool: The rectangular top above a stylised carved frieze on turned and block legs £300-500
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An 18th Century joint oak stool: The rectangular top above a shaped scroll frieze on turned legs. £200-300
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An Early 18th Century Oak Joint Stool: The rectangular top above a plain frieze on turned legs £300-500
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A 17th Century Oak Joint Stool: The rectangular top above a carved lunette frieze on turned and block legs £300-500
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A 17th Century and Later Oak Chair: The arched back carved with stylised foliage: on turned legs joined by stretchers £400-600
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A 17th Century and Later Oak Chair: The shaped top rail above a panelled back carved with a stylised lozenge and solid seat, on turned legs joined by stretchers £400-600
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A 17th Century Oak Chair: The shaped top rail above a panelled back carved with a thistle, on turned legs, joined by stretchers £400-600
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A 17th Century Oak Chair: The shaped top rail above a panelled back carved with a stylised lozenge: two plank seats on turned legs joined by stretchers £400-600
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A 17th Century and Later Oak Chair: The arched back carved with a thistle and rose. On turned legs joined by stretchers £400-600
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A Regency Giltwood Rectangular Overmantel Mirror: The breakfront frieze decorated with balls; the mirror plate flanked by pilasters, H 42cm x W 45cm £200-300
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