|
***Phillip Naviasky (1894-1983) - Oil painting - "Connemara", board 15ins x 18ins, signed, in painted frame £200-400 Provenance: Artist's name and title of work inscribed in pen to reverse of board as well as a pasted label with same information
|
|
|
Bertel Hansen-Svaneke (1883-1937) - Oil painting - Marsh landscape scene, canvas laid on board, 10.5ins x 14ins, signed and dated "7", in gilt moulded frame £150-200 Provenance: Inscribed in pen to reverse of board with artist's name, date of execution and indistinctly titled
|
|
|
***Hugh E. Ridge (?) (1976) - Two oil paintings - Ferry off Dover, canvas 16ins x 20ins, and a liner off a foreign port, 16ins x 22ins, both signed, in white painted frames £120-160
|
|
|
Samuel Calvert (1828-1913) - Oil painting - Fishing boats at sea, canvas 15.75ins x 22ins, signed and dated '77, in birdseye maple veneered frame £300-500
|
|
|
Georges Charles Robin (1873-1943) - Oil painting - "Ploumanach Cote du Nord", relined canvas 18ins x 21.5ins, signed, in modern gilt swept frame £800-1200
|
|
|
J.J. Story (19th Century) - Oil painting - River Rhine landscape overhung with trees, canvas 11.5ins x 17.5ins, signed and dated 1882, in gilt moulded frame (relined) £150-200
|
|
|
Early 20th Century Continental School - Oil painting - Study of two girls standing in a pond within a dark glade, board 20.5ins x 15.5ins, framed and glazed £100-150
|
|
|
|
G. J. Broome (Active 1867-1873) - Oil painting - Still life with fruit, canvas 5.25ins x 7.25ins, signed, in moulded gilt frame and glazed £150-200
|
|
|
George Walter Harris (fl. 1864-1893) - Oil painting - Still life of apples, pears and grapes, canvas 9ins x 12ins, indistinctly signed, and another - Still life with grapes, flowers and butterfly, canvas 6ins x 9ins, indistinctly signed and dated 1879, both in gilt moulded frames £200-300
|
|
|
Julia Zsolany (1856-1950) - Oil painting - Still life with jug of purple and white lilacs, canvas 31ins x 22ins, monogrammed and dated IV/22 1921, in modern gilt swept frame (frame overpainted) £600-800
|
|
|
Christine Moret (1870-1952) - Oil painting - "Stilleven Met Fruit", relined canvas 16ins x 20ins, signed and dated to reverse 1887, in gilt swept frame £300-500 Provenance: Roeloff Kunsthandelf Art Gallery, Kalverstraat 49, Rokin 106, Amsterdam, No. 2465
|
|
|
E. Vanderman (20th Century Continental School) - Oil painting - Still life with vase of flowers, board 19.5ins x 15.5ins, signed, in moulded gilt frame £80-120
|
|
|
19th Century School - Oil painting in the Dutch manner - Still life with vase of mixed flowers, canvas 31ins x 25ins, in white painted frame £150-250
|
|
|
Bela Ivanyi Grunwald (1867-1940) - Oil painting - Still life with vase of flowers, canvas 32ins x 24ins, signed, in gilt frame (frame overpainted - small patch repair and hole to canvas) £2000-3000
|
|
|
***Attributed to Emvin Cremona (1919-1987 - Maltese) - Oil and mixed media painting - A Maltese church with clerical figures, canvas 31.5ins x 31.5ins, signed, with painted wood slips £500-700
|
|
|
20th Century School - Two acrylic paintings - Abstract female nude and colour study, canvases 26ins x 36ins and 20ins x 16ins respectively, both unsigned and unframed £60-80
|
|
|
Oksana Leadbitter (born 1974) - Oil painting - "Alina", canvas 23.5ins x 24ins, signed (unframed) £300-400
|
|
|
Oksana Leadbitter (born 1974) - Charcoal and pastel painting - "Victoria", canvas 23.5ins x 24ins, signed (unframed) £300-500
|
|
|
|
Ralph Hedley (20th/21st Century British) - Two acrylic paintings - Still lifes of vases of flowers on a black ground, 29.5ins x 19.5ins and 23.5ins x 19.5ins, signed, in brushed metal frames £150-200
|
|
|
Ralph Hedley (20th/21st Century British) - Two acrylic paintings - Still lifes - Vases of flowers on a red ground, canvas 29.5ins x 19.5ins and 23.5ins x 19.5ins, unsigned, in brushed aluminium frames £150-200
|
|
|
ARR Rose Hilton (born 1931) - Oil painting - "Grey Studio" - Abstract view, canvas 40ins x 48ins, signed, in silvered frame £1000-1500 Provenance: Michael Parkin Gallery, 11 Motcomb Street, London SW1X 8LB
|
|
|
*** Estelle Thomson (born 1960) - Oil painting - "Fecund", canvas 36ins square, signed and dated 1992 to reverse, unframed £400-600 Provenance: Long & Ryle, 4 John Islip Street, London SW1
|
|
|
Paul Ryan - Four oil paintings on paper - "Air", each 15.25ins x 15ins, titled, signed and dated '93, in limed oak frames and glazed £300-400 Provenance: Long & Ryle Gallery, 4 John Islip Street, London SW1
|
|
|
Paul Ryan - Four oil paintings on paper - "Volume 1, 2, 3 and 4", all 14.25ins square, all titled, monogrammed and dated '93, in limed oak frames and glazed £300-400 Provenance: Long & Ryle Gallery, 4 John Islip Street, London SW1
|
|
|
Paul Ryan - Three oil paintings on paper - "Rivier 1, 2 and 3", all 14ins diameter, titled, monogrammed and dated '93 and '94, in limed wood frames and two glazed £200-300 Provenance: Long & Ryle Gallery, 4 John Islip Street, London SW1
|
|
|
Paul Ryan - Two oil paintings on paper - "En Prise", 12.5ins x 36.5ins, titled, monogrammed and dated '94, and "Spectral", 14.5ins diameter, titled, monogrammed and dated '93, both in limed oak frames and glazed £150-200 Provenance: Long & Ryle Gallery, 4 John Islip Street, London SW1
|
|
|
Late 17th/early 18th Century School - Oil painting - Armorial, canvas laid on board 17ins square, in oak frame £200-300 Note: Armorial thought to be for the Inwyne Family, Cumberland
| WATERCOLOURS | |
|
|
In the manner of William Holman Hunt (1827-1910) - Pencil and watercolour drawing and a pencil drawing - "A Gypsy" and "A Beggar Praying", 3ins x 1.5ins, and 3.125ins x 1.75ins, both mounted in single gilt frame and glazed £200-300 Note: Ink inscription to card on verso reads "William Holman Hunt 1827-1910"
|
|
|
19th Century English/Continental School - Watercolour - Full length portrait of a young woman seated on a bench in the garden with a letter in her left hand, a rose in her right hand, 8.75ins x 6.25ins, in gilt frame with wrythen pattern border and glazed, and bearing red wax seal cipher with coronet to verso £250-300
|
|
|
Guido Bach (19th Century German) - Watercolour - Half length portrait of a woman, 16ins x 13ins, signed and inscribed "Dresden 1861", in gilt frame and glazed £80-120
|
|
|
Early 19th Century Neapolitan School - Gouache - "Vesuvius Erupting", 10.75ins x 15.5ins, signed "Epaiz. Del. 1822", in ebonised frame and glazed £250-300
|
|
|
John Doyle (born 1928) - Watercolour - "La The'erache" - Rural landscape with church in Northern France, 12.5ins x 20ins, signed and dated 1975, in gilt frame and glazed £100-190
|
|
|
C.J. Way (1834-1919) - Watercolour - "Valley of Lauterbrunnen", 25ins x 19.25ins, signed and titled, in gilt frame and glazed £400-600
|
|
|
***Patrick Downie (1855-1945) - Watercolour - "Summer Evening, Brisbane Road, Largs", 8.5ins x 11.5ins, signed, framed and glazed £500-700 Provenance: The Fine Art Society Ltd, 148 New Bond street, London, W1Y 0JT and exhibited at the Tenth Anniversary Exhibition FAS, Edinburgh, 14th April - 11th May 1983, No. 17918
|
|
|
Henri-Joseph Harpignies (1819-1916) - Watercolour - "La Rue Villefranche", 10.25ins x 7.25ins, inscribed, signed and dated '85, in gilt frame and glazed £400-600 Provenance: Thomas Agnew & Sons Ltd, 43 Old Bond Street, Piccadilly, London, No. 34569
|
|
|
Edith Helena Adie (act. 1892-1930) - Watercolour - "Red and blue waterlilies, Queen's Gardens. Perth N.A.", 7ins x 10ins, signed, in gilt frame and glazed £200-300 Note: Label to verso gives both title and date of February 1916
|
|
|
***Hugh Brandon Cox (1913-2003) - Watercolour - Moonlit landscape with flying geese, 15ins x 21ins, signed, in stained wood frame £300-500 Note: Label to verso for Fortescue Swann Galleries, 238 Brompton Road, London
|
|
|
Hugh Maxwell (late 19th/early 20th Century) - Gouache - Moorland scene with sheep to foreground, 11ins x 30.5ins, signed and dated '09, in gilt frame and glazed £120-160
|
|
|
Samuel Prout (1782-1852) - Watercolour - Ruins of Rievaulx Abbey, 12.5ins x 17ins, in gilt moulded frame and glazed £200-300 Note: A similar drawing of this view by Prout is illustrated in "Samuel Prout (1783-1852)" by Richard Lockett, fig. 9, page 41. The original is in the Fitzwilliam Museum, Cambridge
|
|
|
Victoria Hine (19th/20th Century) - Watercolour - View of St. Albans town centre with figures outside shops, 14ins x 20ins, signed and dated 1892, in gilt moulded frame and glazed £200-300
|
|
|
Charles Henry Fox (1860-1929) - Watercolour - Cattle and pollarded trees in a water meadow, 6.75ins x 8.75ins, monogrammed, in moulded gilt frame and glazed £150-200
|
|
|
William Randall (19th/20th Century) - Watercolour - Figures on a terrace overlooking a landscape, 19.25ins diameter, signed, in gilt moulded and swept square frame and glazed £120-160
|
|
|
|
John Henry Mole (1814-1886) - Two watercolours - "The Village Spring", 10ins x 7.5ins, signed and dated 1847, and landscape with a lady and a donkey on a track, 5.5ins x 8.75ins, signed and dated 1868, both framed and glazed £250-350
|
|
|
Herbert Finn (1860-1942) - Mountain road, 12.5ins x 18ins, signed and dated '97, in gilt frame and glazed £150-200
|
|
|
19th/early 20th Century English School - Two watercolours - Cottage garden with view through a flowering arch, 9ins x 12.75ins, indistinctly signed, and with grassy path and deep herbaceous borders, 6ins x 9.5ins, each framed and glazed £150-200
|
|
|
Albert Hartland (1840-1893) - Watercolour - Country road with two walkers, 6.5ins x 9.5ins, signed, in gilt frame and glazed £80-120
|
|
|
Adam Edwin Procter (1864-1913) - Watercolour - Moorland landscape, 7ins x 21ins, signed, in gilt moulded frame and glazed £120-160
|
|