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| Auction Details - AUCTION ALREADY HELD | |||
| The Two Day Sale (Day 1 of 2) | |||
| Auctioneer: | Canterbury Auction Rooms | Location: | Canterbury |
| Contact: | Tel: 01227 763337 Fax: 01227 456770 | ||
| Date: | 16th April 2013 | Time: | 10:00AM |
| Details: | Viewing: Saturday 13th April from 10 am to 4 pm Sunday 14th April from 12 pm to 4 pm Monday 15th April from 10 am to 7 pm and on Mornings of Sale from 8.30 am |
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| Page: | 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 | ||
| Auction Lots - Page 9 | |||
| 409 | |||
| Colin Colahan (1897-1987) - Ink and wash sketch - Full length portrait of a nude woman, 12ins x 5.5ins, signed (unframed - mounted), charcoal sketch - Full length portrait of a nude woman at night with her back reflecting in a mirror, 14ins x 9ins, signed (unframed), and two other sketches (four sketches in total) £60-80 |
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| 410 | |||
| Colin Colahan (1897-1987) - Sanguine drawing - Full length portrait of a topless woman, 30ins x 11.5ins, signed (unframed) £50-70 |
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| 411 | |||
| Colin Colahan (1897-1987) - Ink and watercolour wash sketch - Full length portrait of a nude woman with tousled hair, 13ins x 18ins, signed (unframed - mounted - with slight water damage), and three other sketches (four sketches in total) £50-70 |
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| 412 | |||
| Colin Colahan (1897-1987) - Charcoal drawing heightened in white - Study of two nude women, 13.5ins x 9.5ins, signed (unframed - mounted), and two other sketches of nude women (three sketches in total) £50-70 |
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| 413 | |||
| Colin Colahan (1897-1987) - Ink sketch - Study of a seated nude woman with crossed legs, 12.5ins x 10.25ins, signed (unframed - executed on a book cover), a red pastel sketch - Study of a nude woman asleep, 10ins x 13ins, signed (unframed - mounted), and two other sketches £50-70 |
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| 414 | |||
| Colin Colahan (1897-1987) - Charcoal sketch heightened in white - Full length portrait of a nude woman asleep, 10ins x 18ins, signed (unframed), and three other sketches of nude women £50-70 |
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| 415 | |||
Colin Colahan (1897-1987) - Ink and watercolour wash sketch - Study of two nude women, 14.5ins x 9ins, signed (unframed), and a quantity of sketches of women, various (sixty-one sketches in total) £150-200Miscellaneous Sketches"Colin loved showing others art and getting involved in discussions about it" – Monique Colahan |
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| 416 | |||
| Colin Colahan (1897-1987) - Ink sketch - Cartoon - "Old Man Mad About Sopranos", 11.5ins x 11ins, unsigned (unframed), and a small selection of sketches of people, various (fourteen sketches in total) £50-70 |
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| 417 | |||
| Colin Colahan (1897-1987) - Ink sketch heightened in white - "Vendange" - Study of grape pickers, 7ins x 10ins, signed (unframed - mounted), two similar sketches, and a small selection of sketches of landscape views and buildings various (twenty-eight sketches in total) £50-70 |
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| 418 | |||
| Colin Colahan (1897-1987) - Ink and watercolour wash sketch - "Pamela Browne in Lady Not for Burning", 12.5ins x 6.25ins, signed (unframed - mounted), and a small selection of sketches of people, various (six sketches in total) £50-70 |
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| 419 | |||
| Colin Colahan (1897-1987) - Ink sketch - "Le Maitre de Chai - Chateau Augone", 11.5ins x 7.5ins, signed (unframed - mounted), and a small selection of sketches of people, various (fifty-three sketches in total - mostly unsigned) £50-70 |
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| 420 | |||
| Colin Colahan (1897-1987) - Three charcoal sketches - "Woman in Labour", 9.5ins x 14.5ins, 12ins x 19.5ins and 12.5ins x 18ins respectively, all unsigned (all unframed) £30-50 |
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| 421 | |||
| Colin Colahan (1897-1987) - Six ink and watercolour wash drawings - "Castille '56", "Saumur", "Blois", "En Haut D'Hyeres", "Rocamadour" and "Maintenon Morning", 8.75ins x 14ins, 9.25ins x 12.5ins, 9ins x 12ins, 8.5ins square, 12.5ins x 9ins and 8.5ins x 12.5ins respectively, all signed (all unframed - five mounted) £70-100 |
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| 422 | |||
| Colin Colahan (1897-1987) - Ink sketch - "Ursula, Mimi and Rachel", 10ins x 7.75ins, signed (unframed - mounted), a similar ditto sketch and six other sketches of people, various, all signed (all unframed) Note: Ursula was Colahan's second wife, with Mimi and Rachel children from that marriage £150-200 |
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| 423 | |||
| Colin Colahan (1897-1987) - Two sketches - Charcoal and pen - "Study for Madonna del 'Ava Aperta", both 11.5ins x 6.75ins, signed (both unframed - both mounted - pen version damaged), and six other sundry sketches of figures, various £50-70 |
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| 424 | |||
| Colin Colahan (1897-1987) - Two watercolour studies - "Project for a Harpsichord Lid", 11.5ins x 18.5ins and 10ins x 22ins respectively (both slightly damaged), five sundry sketches (all unsigned), and a large format single sheet birthday card given to Colahan and dated 12th February 1945 - decorated in pen and watercolour with "Fortune and the Beggar or The Song of the Empty Cafe Meal", and written in pencil with five line verse - "Justification", 16.5ins x 11.5ins (indistinctly signed by sender) £70-100 |
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| 425 | |||
| Colin Colahan (1897-1987) - Group of nine charcoal, pen and watercolour wash architectural drawings - Designs for fountains at Bordighera and Ventimiglia, Italy, various sizes £100-150 |
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| 426-429 | |||
No LotsOIL PAINTINGS |
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| 430 | |||
| Nora Allison McGuinness (1901-1980) - Oil painting - Still life with two vases of flowers, canvas 30.25ins x 20ins, signed, in gilt moulded and painted frame £10,000-15,000 Provenance: A gift from the artist in the early 1940s and thence by family descent |
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| 431 | |||
| Sir Lawrence Gowing (1918-1991) - Oil painting - "Ash Trees and Harvest Field", canvas 25ins x 30ins, unframed (small tear to canvas) £800-1200 Provenance: Marlborough Fine Art Ltd, 39 Old Bond Street, London W1. Exhibition label to back dated 1961 |
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| 432 | |||
| Sir Lawrence Gowing (1918-1991) - Oil painting - Half length portrait of an elderly lady, with a face in the shadows, canvas 50ins x 30ins (unframed) £600-800 |
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| 433 | |||
| Phillip Sanders (Born 1938) - Oil painting - "Gallant and Scholar, East Kent Hounds", marine ply panel 23.5ins x 27.5ins, signed, in antique, painted frame £800-1000 |
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| 434 | |||
| Harry Hall (1814-1882) - Oil painting - "Newmarket" - Study of a horse, canvas 17ins x 21ins, signed and dated 1877, in moulded gilt frame £800-1200 |
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| 435 | |||
| T.H. Whitford (19th Century) - Pair of oil paintings - Dead Game, each canvas 12ins x 18ins, one signed and dated 1891, in moulded gilt frames £120-160 |
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| 436 | |||
| Pages (19th Century Continental School) - Pair of oil paintings - River landscapes, mahogany panel each 4.25ins x 5.5ins, signed, in gilt moulded frames £750-1000 |
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| 437 | |||
| Dorothy Atherton (20th Century British) - Oil painting - Still life with flowers, board 16.25ins x 11.25ins, in painted frame £80-120 |
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| 438 | |||
| J. H. Van Mastenbroek (1875-1945) - Oil painting - "Rivier Genicht", canvas 8ins x 12ins, signed, in gilt moulded frame £300-400 |
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| 439 | |||
| 19th Century School - Oil painting - Stormy seascape, relined canvas 11ins x 15ins, in moulded gilt frame £300-400 |
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| 440 | |||
| 19th Century Continental School - Oil painting - View of a promenade and coastline (possibly Naples), card 7.5ins x 9.75ins, in gilt frame £300-400 |
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| 441 | |||
| 19th Century English School - Pair of oil paintings - River landscapes, oval panels 9ins x 11.5ins, in gilt frames and glazed £100-150 |
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| 442 | |||
| H. I. Bromley (20th Century English School) - Oil painting - "Hills at Dawn" - Country landscape in the "Pointillist" manner - canvas 19.5ins x 23ins, signed, in gilt moulded frame and glazed £300-400 Note: Label to back - James Bourlet framers, 17/18 Nassau Street, London |
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| 443 | |||
| 20th Century School in the manner of Sir Alfred Munnings (1878-1959) - Oil painting - Study of mares and foals, canvas 18.5ins x 24ins, unsigned, in gilt frame £250-350 Note: Label to reverse of canvas for "Epsom Prints & Fine Arts, No. 6 Station Approach, Epsom, Surrey KT19 8ES" £500-700 |
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| 444 | |||
| C.E.S. Phillips - Oil painting - "Old Mill at Winchelsea", board 18.5ins x 24ins, signed and dated 1924, in gilt swept frame £500-700 Note: This artist had work exhibited at The Royal Academy |
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| 445 | |||
| Agloe Mearon (late 19th Century Continental (?) School) - Oil painting - Mediterranean coastal landscape with paddle steamer to horizon, canvas 14ins x 20ins, signed and dated 1880, in grained wood frame (canvas scuffed and slightly damaged - frame damaged) £100-150 |
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| 446 | |||
| C. Nevander (?) (20th Century) - Oil painting - Equine portrait - "Tanister", canvas 14ins x 18ins, signed and dated 1970, in gilt frame and glazed £70-100 |
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| 447 | |||
| J. Koutachy (1907-?) - Oil painting - Figure in a wooded landscape, canvas 10.5ins x 8.75ins, signed, unframed £100-150 |
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| 448 | |||
| J. Potronat (20th Century) - Oil painting - Mediterranean coastal scene, canvas 21ins x 25.5ins, signed, in white painted frame £200-300 |
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| 449 | |||
| Clive Madgwick (1934-2005) - Oil painting - "St. Paul's Cathedral looking from the River Thames", canvas 24ins x 36ins, signed in black, in white scumbled frame £700-900 |
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| 450 | |||
| 19th Century Continental School - Oil painting - Napoleon in the midst of a battle inspecting his troops, metal panel 10.25ins x 8.5ins, in silvered moulded frame £200-300 |
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| 451 | |||
| Vincent Clare (1855-1930) - Two oil paintings - Still lives with fruit, card, each 4.5ins x 6ins, signed, with address of artist and date 1896 to verso, in carved gilt frames £300-500 |
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| 452 | |||
| Attributed to Vincent Clare (1855-1930) - Oil painting - Still life with fruit, card 6.25ins x 8.5ins, signed, and one other still life, both in carved gilt frames £150-200 |
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| 453 | |||
| J.E.B. (19th Century British) - Pair of oil paintings - Still lives with fruit, card 4ins x 5ins, both signed with monogram, in gilt moulded frame and glazed £120-160 |
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| 454 | |||
| 19th Century Continental School - Oil painting - Still life with flowers, 18ins x 14ins, in carved and gilded frame £100-150 |
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| 455 | |||
| F. Marchand - Oil painting - Still life, canvas 18ins x 15ins, in gilt frame £100-150 |
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| 456 | |||
| Ethel Sands (1873-1962) - Oil painting - "Jug of Wild Flowers", panel 10.5ins x 8.5ins (circa 1908-09), in oak frame £600-800 Provenance: The Fine Art Society Ltd, 148 New Bond Street, London W1Y 0JT. Exhibition label to back dated 1976 - Catalogue No. 121 |
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| 457 | |||
| Youka Sleptzoff - Oil painting - "Peinture (Lilas)" - Still life study of a vase of flowers, canvas 26ins x 21.5ins, signed and dated 1944, in painted and swept frame £350-500 Note: French exhibition label to back, detailing title of work, artist's name and address for 49 Quai St. Augustine's, Paris 7 |
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| 458 | |||
| Thomas Francis Wainwright (1794-1883) - Pair of oil paintings - Cattle beside rivers, each canvas 20ins x 30ins, signed and indistinctly dated 1839 (relined), in gilt moulded frames £400-600 |
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| 459 | |||
| 19th Century British School - Oil painting - Masted rowing vessels by cliffs, arched board 11.5ins x 14ins, in ornate gilt frame and glazed, and another smaller £200-300 |
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| 460 | |||
| J. Fraser (20th Century British) - Oil painting - Beach scene with figures in a boat, 7ins x 10ins, signed and dated 1912 (?), in elaborate gilt frame and glazed £100-150 |
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| 461 | |||
| W. J. Leggett (19th/20th Century) - Pair of oil paintings - Still life with dead game, canvas 18ins x 18ins, with circular gilt border, signed, in ebonised frames and glazed £200-300 |
| Auction Details - AUCTION ALREADY HELD | |||
| The Two Day Sale (Day 1 of 2) | |||
| Auctioneer: | Canterbury Auction Rooms | Location: | Canterbury |
| Contact: | Tel: 01227 763337 Fax: 01227 456770 | ||
| Date: | 16th April 2013 | Time: | 10:00AM |
| Details: | Viewing: Saturday 13th April from 10 am to 4 pm Sunday 14th April from 12 pm to 4 pm Monday 15th April from 10 am to 7 pm and on Mornings of Sale from 8.30 am |
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| Page: | 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 | ||