Auction Details - AUCTION ALREADY HELD | |||
Furniture, Works of Art and Tribal Art | |||
Auctioneer: | Woolley & Wallis | Location: | Salisbury, Wiltshire UK |
Contact: | Tel: 01722 424500 Fax: 01722 424508 | ||
Date: | 8th January 2013 | Time: | 10:00AM |
Details: | Viewing: Friday 4th January 10am to 4.30pm Saturday 5th January 10am to 1pm Monday 7th January 10am to 4.30pm Tuesday 8th January 8.30am to 10am |
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Page: | 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 |
Auction Lots - Page 8 | |||
351 | |||
A set of six Victorian oak side chairs, with incised decoration. (6) £150-200 |
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352 | |||
A Regency mahogany tripod table, with a circular tilt-top, 27¾in (70.5cm) high, 36in (91.5cm) diameter. £100-150 |
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353 | |||
An early Victorian rosewood three tier étagère, 29in (73.6cm) high, 14in (35.5cm) wide, and a Victorian mahogany three tier étagère, 31½in (80cm) high, 15in (38cm) wide. £300-400 |
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354 | |||
A modern mahogany twin pillar dining table by Richard Wilson, the crossbanded top with an additional leaf, stamped to the underside 'RICHARD WILSON', 28¼in (71.7cm) high, 54in (137.3cm) wide, 87½in (222cm) long. £300-400 |
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355 | |||
A William IV rosewood side cabinet, with two frieze drawers, above a fixed shelf, 53¾in (136.5cm) high, 43in (109.5cm) wide, 14½in (37cm) deep. £400-600 |
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356 | |||
A pair of George IV carved mahogany hall chairs. (2) £400-600 |
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357 | |||
An early Victorian mahogany adjustable duet table, with two ratcheted slopes, both with book rests, the top slides and with an adjustable stem, on castors, 29¼in (74.3cm) high, 36in (91.5cm) wide, 17¾in (45cm) deep. £200-300 |
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358 | |||
A Victorian walnut long stool, with a later floral needlework covered top, the brass and ceramic castors stamped 'W T & S, PATENT', 20½in (52cm) high, 46in (117cm) wide, 18in (45.6cm) deep. £300-400 |
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359 | |||
A pair of early Victorian rosewood chairs, with later upholstered seats and on turned and petal carved legs. (2) £400-600 |
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360 | |||
A mahogany gout stool by Alfred Carter, 47 Holborn Viaduct, the top with a replaced studded leatherette cover, with an ivorine trade label, 26½in (67.5cm) long. £150-200 |
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361 | |||
A wing armchair, with button upholstered stained fawn leather, modern. £300-400 |
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362 | |||
A George IV rosewood sofa table, with gilt brass stringing and mounts, the two frieze drawers part divided, with false reverse drawers all with replaced handles, on brass hairy paw sabots with ceramic castors, 30in (76cm) high, 58¼in (148cm) wide open, 28in (71cm) deep. £500-700 |
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363 | |||
A Regency mahogany sarcophagus cellaret, with crossbanding and stringing and applied mouldings, with three brass lion's mask ring handles, 22in (56cm) high, 29¾in (75.5cm) wide, 18in (45.7cm) deep. Provenance: Sold on behalf of the executors of the late Michael Wellby Esq. £600-800 |
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364 | |||
A set of six Regency simulated rosewood and brass marquetry side chairs. (6) £100-150 |
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365 | |||
A satinwood and ormolu mounted cabinet, the friezes with gilt plaster casts after John Henning's copies of the Parthenon friezes, 78¾in (200cm) high, 47in (229.5cm) wide, 18½in (47cm) deep. Provenance: Sold on behalf of the executors of the late Michael Wellby Esq. £4,000-6,000 |
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365A | |||
John Henning (1771-1851). A glass portrait cameo, depicting a gentleman looking right, possibly George IV, signed '1804, Henning and F', 2in (5.2cm) high. Provenance: Sold on behalf of the executors of the late Michael Wellby Esq. 200-300 |
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366 | |||
A continental enamel on copper box, decorated with Venetian views, with gilt brass mounts, early 20th century, 3½in (8.1cm) high, 6¾in (17.3cm) wide, 5in (12.6cm) deep. £200-300 |
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367 | |||
A 19th century Italian micromosaic circular plaque, the centre with St. Mark's Basilica, Venice, 22½in (57cm) diameter. Damaged. £100-200 |
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368 | |||
An Italian oval relief carved portrait plaque of a cardinal, possibly of Scipione Borghese, 17th century, 5¾in (14.7cm) high, 4¾in (12cm) wide. £200-300 |
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369 | |||
Two Italian pietra dura plaques, depicting a gentleman and a woman knitting, late 19th century, 9 x 6¼in (22.7 x 15.6cm) and 8¼ x 5½in (20.6 x 13.7cm), each in a carved giltwood and composition frame. (2) £300-400 |
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370 | |||
A lapis lazuli specimen, 3½in (8.5cm) wide. £50-70 |
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371 | |||
Sixteen hardstone eggs, the largest 3in (7.5cm) long. (16) £50-100 |
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372 | |||
Three Italian bronze Grand Tour models of ancient Roman remains, of the Temple of Saturn, the Temple of Vespasian and the Forum of Julius Caesar, each on a marble plinth, 5½in (14.1cm) high, 4in (10cm) wide, max. (3) £50-80 |
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373 | |||
A small collection of Italian Grand Tour items, comprising: a 19th century Siena marble model of the Temple of Vespasian, 10½in (26.3cm) high, 5½in (13.8cm) wide, an alabaster model of the Pantheon, an alabaster temple ruin on a marble base, and four alabaster carved portrait profile busts of Renaissance men including Dante. (7) £150-200 |
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374 | |||
A 19th century Italian siena marble Grand Tour model of Scipio's tomb, the lift-off cover revealing apertures for two inkwells, on a black marble base, 5¼in (13cm) high, 8½in (21.5cm) wide, 2¾in (6.7cm) deep. £400-600 |
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375 | |||
A 19th century Italian bronze athénienne, 37in (94cm) high, 12in (30.5cm) diameter. £700-900 |
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376 | |||
A 19th century bronze Grand Tour ewer, on an associated mahogany plinth, drilled for electricity, 10½in (26.5cm) high. £30-50 |
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377 | |||
After the antique. An Italian patinated bronze model of Silenus, the drunken figure holding a serpent entwined corona aloft, on a domed base with incised decoration, late 19th century, 23½in (59.5cm) high, 10in (25.3cm) wide. £200-300 |
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378 | |||
A near pair of 19th century North European serpentine urns, each with a pair of gilt metal open handles to a stiff leaf carved stem and a circular base, 11¼in (28.5cm) high, 12in (30.4cm) wide. (2) £1,000-1,500 |
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379 | |||
After the antique. Seated Mercury, bronze, late 19th century, 8in (20.3cm) high. £150-200 |
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380 | |||
Pierre Jules Mêne (1810-1879). Two whippets at play, bronze, signed, 6in (15cm) high, 8¾in (22.3cm) wide. The underside with a hand written note stating that 'This Bronze which was purchased in Paris in 1855 is given to William Wurr in memory of John Bailey Denton...Dec 25, 1893. The plaster model was exhibited in Salon in 1848. No. 93 in Mêne's catalogue. The whippets are Jiji and Gisella. £400-600 |
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381 | |||
A bronze model of a goat, the naturalistic base indistinctly inscribed, 6¾in (16.8cm) high, 9¾in (24.8cm) wide, 3¾in (9.4cm) deep, on a black marble plinth. £150-250 |
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382 | |||
After Pierre Jules Mêne (1810-1879). Vainqueur de Derby, bronze with cold painted highlights, the naturalistic base signed 'P.J. MÊNE 1866', titled 'VAINQUEUER', and stamped 'FBL' for Fonderie de Bronze Lauragaise, 13¾in (34.5cm) high, 16½in (42cm) wide, 8¼in (20.9cm) deep. £400-600 |
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383 | |||
After Pierre Jules Mêne (French 1810-1879). A bronze model of a mare and foal, light brown patination, the naturalistic base signed 'P.J. MÊNE' and stamped 'FBL' for Fonderie de Bronze Lauragaise and 'CIRE PERDUE BRONZE', 11½in (29cm) high, 18in (45.7cm) wide, 8¾in (23.1cm) deep. £300-400 |
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384 | |||
Gaston d'Illiers (French 1876-1952). A bronze model of a horse, brown patination, the based signed and impressed 'MADE IN FRANCE', 8in (20.2cm) high, 9in (22.9cm) wide, including marble plinth. £100-200 |
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385 | |||
A pair of Victorian bronze flatback models of dogs, one a pointer the other a setter, each with a registration lozenge for 1883, 4½in (11.5cm) high, 8½in (21.5cm) wide. (2) £150-200 |
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386 | |||
An Austrian cold painted bronze model of a pheasant, early 20th century, 10¼in, 26cm long. £150-200 |
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387 | |||
An Austrian cold painted bronze naturalistic inkstand, in the form of a leaf and nuts, the largest nut hinged, on a metal foot, early 20th century, 6½in (15.8cm) wide. £80-120 |
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388 | |||
A 19th century French bronze figure of a boy carrying a basket of fruit and vegetables, 4¾in (11.9cm) high, on a marble socle, 7¼in (18cm) high. £100-150 |
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389 | |||
A 19th century continental bronze model of Punch playing a cello, with traces of cold painted and gilt decoration, the coat tails stamped 'SCH' and 'N', 4in (10.2cm) high, 3¼in (8.3cm) wide. £200-300‡390. Kathleen Scott (1878-1947). A bronze model of possibly Sir Peter Scott as a young boy, the base signed 'K. Bruce Scott', the underside with a clapper and the sculpture used as a table bell, 4½in (11.6cm) high, 3¼in (8.4cm) wide. Provenance: Sold with a typed letter from Seldon's Ltd, Eastbourne recounting a letter written by Sir James Barrie (Peter Scott's godfather) in May 1914 with regards a bronze bell he had been given. £100-150 |
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391 | |||
After R. Jefferson (19th century). A Victorian bronze relief panel of the triumphal entry of the Duke of Wellington into Madrid 1812, by Elkington & Co., titled 'MADRID' and 'THE EVENTS OF WAR ARE IN THE HANDS OF PROVIDENCE ALONE', signed 'R. Jefferson', and inscribed 'ART UNION' and 'EXECUTED BY ELKINGTON MASON & CO.', 13¾ x 33in (35 x 84cm), in a moulded oak frame. Jefferson exhibited at the Royal Academy from 1853-1860. In 1853 he won the Art Union prize for the best plaster model in low relief illustrating an event in the military life of the late Duke of Wellington who had died in 1852. The Art Journal in 1853 described the relief: 'It is a processional composition, full of figures of every degree, from the full round to the lowest relief. It is throughout extremely spirited and extremely successful in national characteristic'. £800-1,200 |
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392 | |||
After E. Loisauy. A bronze model of a female tennis player, signed, on a stepped black marble base, 16¼in (41cm) high. £100-150 |
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393 | |||
Emmanuel Villanis (1858-1914). Prise de Corsaire, bronze, signed and titled, with Societe des Bronzes stamp and 'F. 8672', on a marble base, 34in, 86.5cm high. £1,000-1,500 |
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394 | |||
After E. Ludwig. An Art Nouveau bronze model of a nude lady holding a branch, signed 'E. Ludwig', on an octagonal marble plinth base, 10¼in (26cm) high. £100-150 |
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395 | |||
A 19th century French bronze model of Cupid, mending his bow, 10¼in, (26cm) high. £300-400 |
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396 | |||
Sir Thomas Brock (1847-1922). Victory, bronze, 15¼in (39cm) high, on a green marble plinth, 20in (50.8cm) high together. Thomas Brock started his career as an apprentice at the Royal Worcester Porcelain Works, later becoming a pupil of the sculptor John Henry Foley. His first major work was to complete the statue of Prince Albert for the Albert Memorial, which lead to the colossal Imperial Memorial to Queen Victoria, standing in front of Buckingham Palace. £1,000-1,500 |
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397 | |||
Sir Charles Thomas Wheeler (1892-1974). Mask, bronze, dark green patination, 5¾in (14.6cm) high. £300-400 |
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398 | |||
Sir Charles Thomas Wheeler (1892-1874). Bust of the artist's wife, Muriel Wheeler, plaster, on a stained wood plinth, 15¼in (38.5cm) high. £200-300‡399. Richard Garbe (1876-1957). Angel's head with a dove and a cloud, ivory, signed and dated '1947', on a stepped slate plinth, the reverse with printed number '1394' and the underside with printed label for 'James Bourlet & Sons Ltd., Fine Art Packers, 17 & 18 Nassau Street', and numbered 'E328', 6¾in (17cm) high. £300-500 |
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400 | |||
Three Goan ivory carvings, one of a young boy with traces of gilding to his hair, 3½in (8.7cm) high, one of lion, the other of a ram. (3) £30-50 |
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401 | |||
A carved ivory figure of the Virgin Mary, on an 18th century Indo-Portuguese 'Good Shepherd' base, 9½in (23.6cm) high. £300-400 |
Auction Details - AUCTION ALREADY HELD | |||
Furniture, Works of Art and Tribal Art | |||
Auctioneer: | Woolley & Wallis | Location: | Salisbury, Wiltshire UK |
Contact: | Tel: 01722 424500 Fax: 01722 424508 | ||
Date: | 8th January 2013 | Time: | 10:00AM |
Details: | Viewing: Friday 4th January 10am to 4.30pm Saturday 5th January 10am to 1pm Monday 7th January 10am to 4.30pm Tuesday 8th January 8.30am to 10am |
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Page: | 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 |