 |
||
 |
 |
 |
 |
||
|
||
|
|
|
|
||
| Auction Details - AUCTION ALREADY HELD | |||
| Fine Art Sale (Day 3 of 3) | |||
| Auctioneer: | Lawrences, Crewkerne | Location: | South Street, Crewkerne |
| Contact: | Telephone: 01460 73041 Fax: 01460 270799 | ||
| Date: | 18th January 2013 | Time: | 11:00AM |
| Details: | Viewing Details: Friday 11th January, 9am-4.30pm Saturday 12th January, 9am-1pm Monday 14th January, 9am-4.30pm Tuesday 15th January, 9am-7pm Wednesday 16th and Thursday 17th January, 9am-4.30pm Friday 18th January 9am-10.30am |
||
| Page: | 1 2 3 4 5 6 7 8 9 10 11 12 13 | ||
| Auction Lots - Page 4 | |||
| 1610 | |||
| EDWARD CHARLES BARNES (1832-1893) REST AWHILE Oil on canvas 34.5 x 24cm. ++ Lined; some associated retouching; original gilt frame £800-1200 M1611. CIRCLE OF JACOPO FABRIS (1689-1761) VENICE: THE S. MARIA DELLA SALUTE, WITH FIGURES AT THE WATERFRONT Bears signature Jac. Fabri.., oil on canvas 66 x 89cm. ++ Lined; a little thin in a few places; scattered retouching; needs a clean £2500-3500 |
|||
| 1612 | |||
| FRENCH SCHOOL, 1870's STEAM SHIPS IN CANADIAN WATERS OFF NEW BRUNSWICK Signed with initials and dated ELV/1873 (the last number indistinct), oil on French board 17 x 25.5cm. ++ A few minor grazes; needs a clean £500-700 |
|||
| 1613 | |||
| JENO KEMENDY (1860-1925) A FAMILY WITH THEIR HORSES Signed and dated 1890, oil on panel 15 x 22cm. ++ Good condition £600-800 |
|||
| 1614 | |||
| GERMAN SCHOOL, 19th CENTURY POULTRY IN A FIELD Signed indistinctly and inscribed Munchen, oil on panel 20 x 25cm. ++ A little craquelure; needs a clean £500-700 |
|||
| 1615 | |||
| O** H** (Circa 1900) TWO SISTERS ON A WINTER WALK Signed with initials, oil on panel 23.5 x 17.5cm. ++ Needs a light clean £300-400 |
|||
| 1616 | |||
| ATTRIBUTED TO GIUSEPPE MAZZOLINI (1806-1876) THE APPROACHING STORM A near pair, oil on canvas 38.5 x 31cm. and 37 x 29cm. (2) ++ Each in good condition £600-800 |
|||
| 1617 | |||
| WILLIAM HEMSLEY (1819-1893) GRANNY'S CHARGE Signed, oil on canvas 39.5 x 49cm. Exhibited: Probably London, Royal Society of British Artists, 1877, no.22 ++ Lined; retouched tear in centre of image; scattered retouching elsewhere £500-700 |
|||
| 1618 | |||
| EDWARD STEEL HARPER (1878-1951) AN OLD WALL, BOSSINGTON, SOMERSETSHIRE Signed with artist's device and dated 1922, also signed and inscribed on a label verso, oil on board 29 x 44cm.; with a wooded river scene by the same artist, signed and dated 1925, 23 x 31.5cm. (2) ++ Each in good condition £200-300 |
|||
| 1619 | |||
| ROBERT GALLON (1845-1925) CHILDREN BY A COTTAGE ON A LANE Signed, oil on canvas, good original gilt frame 30 x 44cm. ++ Good condition; needs only a light clean £500-700 |
|||
| 1620 | |||
| *** BECKER (Circa 1900) THE WAGGONER'S REST; THE MOUNTAIN SHEPHERD A pair, both signed, oil on canvas Each 73 x 123cm. approx. (2) ++ The latter with a few small patched repairs verso; each needs a clean £600-800 |
|||
| 1621 | |||
| CIRCLE OF LEON RICHET (1847-1907) FIGURES AT A WASH HOUSE BY A WOODED POOL Bears later attribution verso to Charles Francois Daubigny, oil on panel 25 x 35cm. ++ Good condition £350-450 |
|||
| 1622 | |||
| WILLIAM HENRY MIDWOOD (Fl.1867-1875) TWO CHILDREN ON A BEACH Signed, oil on canvas 14.5 x 19.5cm. ++ Good condition; needs a light clean £200-300 |
|||
| 1623 | |||
| ALFRED POLLENTINE (1836-1890) A VIEW ON THE GRAND CANAL, VENICE Signed and dated 88, oil on canvas 39 x 59.5cm. ++ Lined; some associated retouching £700-1000 |
|||
| 1624 | |||
| W** J** PRESTON (Fl.c.1893) ROWING HARD IN HEAVY SEAS Signed and dated 1893, oil on canvas 74 x 124.5cm. ++ Lined; some craquelure and associated retouching £250-350 |
|||
| 1625 | |||
| WILLIAM THORNLEY (Fl.1861-1898) FISHING BOATS IN CHOPPY WATERS Oil on canvas 24.5 x 39.5cm. ++ Lined; a little associated retouching £600-800 |
|||
| 1626 | |||
| E** BAGSHAW (Circa 1900) A SCENE ON THE CORNISH COAST Signed, inscribed upon a fragmented label on the stretcher, oil on cancvas 47.5 x 91cm. * Possibly by Edwin Bagshaw (Fl.1891-1927), a Nottinghamshire landscape painter. ++ Lined; a little associated retouching £300-400 |
|||
| 1627 | |||
| E. AUBREY HUNT (1855-1922) BOATS ON A LAGOON Signed, oil on board 17 x 25cm. ++ Good condition £300-400 |
|||
| 1628 | |||
| ATTRIBUTED TO ANTONIO NICOLO GASPARO JACOBSEN (1850-1921) THE STEAM SHIP `ST.LOUIS` Oil on canvas, unframed 56 x 91.5cm. * Built in 1895 by Cramp & Sons of Philadelphia, the St. Louis made her maiden voyage from New York to Southampton in June of that year. She was requisitioned as an armed merchant cruiser during the Spanish-American War but resumed American Line service in 1900. She was renamed USS Nashville in 1917 and became a troopship but she caught fire during refitting in 1920 and, after a spell as an exhibition ship, the St. Louis was broken up in Italy in 1923. ++ Some holes, damages and flaked losses; needs a clean £1000-1500 |
|||
| 1629 | |||
| ARTHUR JOSEPH MEADOWS (1843-1907) COMO, NTH. ITALY Signed; also signed, inscribed and dated 1892 verso, oil on canvas 59 x 89.5cm. ++ Good condition £2000-3000 |
|||
| 1630 | |||
| GEORGE WILLIAM MOTE (1832-1909) A HERDSMAN ON AN UPLAND TRACK AT SUNSET Signed and dated 1881, oil on canvas 60 x 91cm. ++ Unlined; some craquelure; needs a clean £500-800 |
|||
| 1631 | |||
| JOHN FREDERICK HERRING Junior (1820-1907) FARM HORSES ON A LANE Oil on canvas 37 x 50cm. ++ Needs a clean £1500-2500 |
|||
| 1632 | |||
| AFTER ROSA BONHEUR (1822-1899) THE HORSE FAIR Bears a signature, oil on canvas 115.5 x 248cm. * After the original, c.1853-1855 (New York, Metropolitan Museum of Art) ++ Needs a clean; some bloom; one small tear left of centre £500-700 |
|||
| 1633 | |||
| CIRCLE OF GEORGE HENRY LAPORTE (1799-1873) A HUNTSMAN UPON A LIGHT BAY HORSE, WITH A GROOM Oil on canvas 52 x 68.5cm. ++ Lined; a little retouching; needs a light clean £800-1200 |
|||
| 1634 | |||
| HENRY ANDREWS (Fl.1830-1860) AN EARNEST PROPOSAL Signed, oil on canvas, unframed 102 x 90cm. Exhibited: probably London, Royal Society of British Artists, 154, no.49, as `Scene from Moliere's Play of Tartufe [sic]`. The subject appears to depict Tartuffe proposing to Orgon's wife, Elmire, as Orgon's son, Damis, listens covertly beneath the table. ++ Extensive damages and restoration; lined £100-200 |
|||
| 1635 | |||
| THOMAS RICHMOND (1802-1874) PORTRAITS OF A LADY; and OF HER DAUGHTER A near pair, both signed and dated 1860, oil on card, mounted oval 35 x 30cm. and slightly smaller (2) ++ Good condition £300-400 |
|||
| 1636 | |||
| FOLLOWER OF WILLIAM GALE (1823-1909) REVERIE: LADY IN A PINK ROBE Oil on canvas 59.5 x 34.5cm. ++ Needs a clean; small flaked losses on face and elsewhere £300-400 |
|||
| 1637 | |||
| JOHN HENRY DELL (1830-1888) A COUNTRY MOTHER AND CHILD Signed with monogram, oil on board 42 x 29.5cm. ++ Good condition £200-300 |
|||
| 1638 | |||
| ENGLISH SCHOOL, 1884 PORTRAIT OF A GIRL, A MEMBER OF THE ST. .JOHN MILDMAY FAMILY, POSSIBLY EVELYN AUGUSTA Seated, half length, wearing a cream dress with red sash, bow and headband, dated 1884, oil on canvas 75 x 57.5cm. ++ Recently cleaned and renovated. £250-350 |
|||
| 1639 | |||
| JOHN GIFFORD (19th Century) AWAITING THE GUNS Signed, oil on canvas 74 x 61cm. ++ Lined and recently expertly restored £800-1200 |
|||
| 1640 | |||
| GEORGE VICAT COLE, RA (1833-1893) PUNT ON THE ARUN Signed with monogram, oil on board 19.5 x 14.5cm. Provenance: London, Christies, June 17th, 1893, lot 512, described as `Man in a Punt` (as part of the dispersal of the artist's pictures) ++ Needs a light clean only £400-600 |
|||
| 1641 | |||
| SIR JOHN LAVERY, RSA, RA, RHA (1856-1941) LADY ON A GARDEN STEP Signed and dated J LAVERY 80 (the date indistinct), oil on canvas 44.5 x 29cm. * In this early work by Lavery, the artist is still exploring a derivative but commercial theme in a straightforward high Victorian style. It is more old-fashioned in spirit than the European, forward looking subject matter that he was to adopt at the Academie Julian in Paris in 1881. Lavery had just left Glasgow where he had enjoyed a low key debut at the city's Institute of Fine Arts in 1880. He had found a few patrons as a result but, after an unmemorable few months at Heatherley's Art School in London, he was trying hard to find a style that would gain him swift and lucrative commercial approval. He tackled a very similar theme in a small (20 x 15cm) oil, painted in 1881, entitled `Waiting` (Renfrew Museums and Galleries). In that work, an elegant lady is also shown descending almost identical rustic steps. Nonetheless, there are distinct signs of refinement in Lavery's technique in this picture that suggest that Lavery was learning his craft with speed and ability. We are grateful to Professor Kenneth McConkey who has authenticated this work. ++ Lined; retouching of old craquelure £2000-3000 |
|||
| 1642 | |||
| FREDERICK WILLIAM NEWTON WHITEHEAD (1853-1938) WAREHAM HARBOUR Signed (incised signature), also signed and inscribed with title on a label on the reverse of the frame, oil on canvas 60 x 90.5cm. ++ Needs a very light clean; original Watts-type frame £1200-1800 |
|||
| 1643 | |||
| FREDERICK WILLIAM NEWTON WHITEHEAD (1853-1938) BINDON MILL Signed and inscribed with title (both incised), oil on canvas 40 x 60cm. ++ Rather thinly painted in a few places; needs a light clean only £250-350 |
|||
| 1644 | |||
| ELIZABETH WHITEHEAD (Fl.1880-1922) OLD LADY BY A COTTAGE, BROADWAY Signed and dated 1898, inscribed Broadway, oil on canvas 54.5 x 41.5cm. ++ Needs a light clean only £200-300 |
|||
| 1645 | |||
| JAMES CHARLES (1851-1906) FISHING BY THE RIVER IN A SUMMER MEADOW Signed, oil on canvas 36 x 54cm. ++ A little craquelure; needs a clean £1000-1500 |
|||
| 1646 | |||
| SIR WILLIAM BLAKE RICHMOND, RA (1842-1924) A PASTORAL - A MEMORY OF THE VALLEY OF SPARTA Oil on canvas 90 x 150cm. Provenance: Lord Davey; London, Christies, April 20th 1907, lot 81 (143 gns to Agnew); George, 9th Earl of Carlisle; Anonymous sale, Christies, November 13th 1992 (£9000); Christies, June 16th 2005, lot 109; Private Collection Exhibited: London, Grosvenor Gallery, 1886, no.168 London, New Gallery, The Works of Sir William Blake Richmond, Winter 1900-1901, no.190 (as `Valley of the Eurotas`) Literature: Simon Reynolds, William Blake Richmond, An Artist's Life, 1842-1921 (Michael Russell Publishing Ltd, 1995, pp.162-163, 188, fig.62) This subject derives from the artist's travels in Greece in 1883 when he immersed himself in simple village life the better to try and understand life in Greece in `the days of Theocritus`. On the 10th of September, Richmond travelled from Sparta to Stafia. After a leisurely amble home on horseback, he was moved to poetical flights of description in his diary, relishing the recollection of the idyllic `quiet harmonic solitude`, the `gentle song of the lullaby` from the scattering leaves, the `blue crystal` of the distant hills and the `gentle murmur` of village streams which `came to the ear like the song of river maidens`. Studies relating to this work are in Sheffield (Graves Art Gallery) and a private collection. £6000-8000 |
|||
| 1647 | |||
| ZAKKIE ELOFF (South African, 1925-2004) WILDEBEEST AT A POOL; IMPALA AMIDST TREES Two, the latter signed and dated 62, oil on board 43.5 x 54cm and 44 x 59cm. (2) Provenance: African Producers Manufacturing Co Ltd, by whom presented to Mr N. A. C. Pryce, August 1962 ++ Each needs a light clean only £1500-2000 |
|||
| 1648 | |||
| GEORGE HOUSTON, RSA (1869-1947) LOCH AWE Signed, oil on canvas 44.5 x 60cm. ++ Needs a light clean £700-900 |
|||
| 1649 | |||
| ROBERT DOUGLAS BURT (Fl.1921-1937) BEACHED BOATS, ST. IVES Signed, oil on canvas 50.5 x 63cm. ++ Needs a clean £300-500 |
|||
| 1650 | |||
| NORMAN BATTERSHILL (1922-2010) A CORNER OF DORSET Signed, oil on board 32 x 39.5cm.; with another oil, also a Dorset scene, 22 x 29.5cm.; and two works on paper of a raincloud and a winter lane. (4) ++ Each in good condition £150-250 |
|||
| 1651 | |||
| GLADYS PRICE (Fl.c.1930-1950) GOLD HILL, SHAFTESBURY, DORSET Oil on canvas, unframed 51 x 76cm. Provenance: By descent in the family of the artist ++ Craquelure £120-180 |
|||
| 1652 | |||
| DONALD McINTYRE (1923-2009) CATALAN VILLAGE No. 2 Signed with initials, acrylic on board 17.5 x 27.5cm. Provenance: Charles Cundall's daughter ++ Good condition £400-600 |
|||
| 1653 | |||
| ARTHUR KARL MADERSON (b.1942) HORSES BY A FANTASTIC WATERFALL Signed and dated 1975, oil on board 59.5 x 112.5cm. ++ Needs a clean; thick impasto £500-700 |
|||
| 1654 | |||
| TOM COATES (b.1941) A MARKET, INDIA Signed with monogram, oil on canvas board 24 x 29.5cm. ++ Good condition £200-300 |
|||
| 1655 | |||
| GERALD COOPER (1898-1975) STILL LIFE OF A BOWL OF FLOWERS Signed and dated 1948, oil on board 50 x 39cm. ++ Some slight craquelure; needs a light clean £500-700 |
|||
| 1656 | |||
| CHARLES CHAPLIN (1919-1989) A VASE OF ROSES Signed, oil on canvas 24.5 x 19.5cm. ++ Good condition £400-600 |
|||
| 1657 | |||
| JAMES NOBLE (1919-1989) A GLASS OF SUMMER BLOOMS Signed, oil on canvas 24.5 x 19cm. ++ Good condition £400-600 |
|||
| 1658 | |||
| FRITZ VAN DEN DAELE (b.1891) MAN TENDING SHEEP AT THE EDGE OF A WOOD Signed , oil on canvas 68.5 x 98.5cm. ++ Good condition; small patched repair verso £250-350 |
|||
| 1659 | |||
| BERNARDUS ANTHONIE VAN BEEK (1875-1941) LANDSCHAP IN DRENTE Signed, also signed and inscribed with title on the stretcher, oil on canvas 37 x 50cm. ++ Needs a clean £300-400 |
|||
| 1660 | |||
| BASIL JONZEN (1913-1967) NEAR FORDINGBRIDGE Signed, inscribed with title on the stretcher, oil on canvas 62 x 75cm. ++ Good condition £400-600 |
| Auction Details - AUCTION ALREADY HELD | |||
| Fine Art Sale (Day 3 of 3) | |||
| Auctioneer: | Lawrences, Crewkerne | Location: | South Street, Crewkerne |
| Contact: | Telephone: 01460 73041 Fax: 01460 270799 | ||
| Date: | 18th January 2013 | Time: | 11:00AM |
| Details: | Viewing Details: Friday 11th January, 9am-4.30pm Saturday 12th January, 9am-1pm Monday 14th January, 9am-4.30pm Tuesday 15th January, 9am-7pm Wednesday 16th and Thursday 17th January, 9am-4.30pm Friday 18th January 9am-10.30am |
||
| Page: | 1 2 3 4 5 6 7 8 9 10 11 12 13 | ||