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| Auction Details - AUCTION ALREADY HELD | |||
| Fine Art Sale (Day 3 of 3) | |||
| Auctioneer: | Lawrences, Crewkerne | Location: | South Street, Crewkerne |
| Contact: | Telephone: 01460 73041 Fax: 01460 270799 | ||
| Date: | 18th January 2013 | Time: | 11:00AM |
| Details: | Viewing Details: Friday 11th January, 9am-4.30pm Saturday 12th January, 9am-1pm Monday 14th January, 9am-4.30pm Tuesday 15th January, 9am-7pm Wednesday 16th and Thursday 17th January, 9am-4.30pm Friday 18th January 9am-10.30am |
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| Page: | 1 2 3 4 5 6 7 8 9 10 11 12 13 | ||
| Auction Lots - Page 3 | |||
| 1555 | |||
| GUY RODDON (1919-2006) PARIS WINDOW Signed and dated 91, pastels 59 x 44.5cm. Exhibited: London, David Messum, 1992, `En Vacances` Exhibition, 1992 (ref GR161) ++ Good condition £250-300 |
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| 1556 | |||
| MARY STORK (b.1938) JUDGEMENT Signed and dated 11.1.95, also signed and inscribed on the backboard, mixed media 50 x 31cm. Exhibited: London, David Messum, Summer Exhibition, 1995, no.27 ++ Good condition £400-600 |
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| 1557 | |||
| HORACE BRODZKY (1885-1969) TWO NUDES Signed and dated 35, pen and black ink 24.5 x 32cm. ++ Needs a light clean only; very slight light staining £200-300 |
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| 1558 | |||
| THERESE LESSORE (1884-1945) BOATWORKERS Watercolour and pencil 19.5 x 30cm. ++ Needs a light clean £300-500 |
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| 1559 | |||
| FRANCIS PHILLIPPS (Contemporary) CRUSHING MAN Three, one signed and dated 1990, watercolour with pen and ink One 52.5 x 72cm.; two 67 x 52cm. approx. (3) ++ Good condition £120-180 |
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| 1560 | |||
| ARTHUR RALPH MIDDLETON TODD, RA, RWS (1891-1966) MARIETTA Signed, exhibition labels on backboard, pastels 48.5 x 31cm. Exhibited: London, The Royal Academy, 1944, no.82 ++ Good condition £350-450 |
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| 1561 | |||
| ANNIE FRENCH (1872-1965) KING LEAR CASTING OUT CORDELIA (?) Signed, also signed with artist's device, pen and black ink 28.5 x 21cm. ++ Four or five worm holes; paper evenly browned £600-800 |
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| 1562 | |||
| MICHAEL J. COATES (b.1937) AWAITING THE TIDE; OLD BARNS, NORFOLK Two, each signed, gouache Each 27.5 x 41.5cm. (2) Exhibited: London, The Mall Galleries, 1984-1985 ++ Each in good condition £120-180 |
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| 1563 | |||
| MICHAEL J. COATES (b.1937) NORFOLK BOATYARD; WINTER'S DAY, LEICESTERSHIRE Two, each signed, gouache 34 x 50cm. and 28 x 41.5cm. (2) Exhibited: London, The Mall Galleries, 1984-1987 ++ Each in good condition £120-180 |
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| 1564 | |||
| YOSHIO MARKINO (1869-1956) APRIL: SUNDAY IN THE PARK Signed with initials and further inscribed in Japanese, bears inscribed label on backboard, watercolour and pencil 20 x 37.5cm. * Markino (born Heiji Makino) was brought up in Toyota, Japan and sailed from Yokohama to San Francisco in 1893. He remained fascinated by Western culture for the rest of his life. After a four year sojourn in California, he travelled to London in 1897 and was warmly welcomed by fellow artists. He earned plaudits for The Colour of London in 1907 and produced similar books extolling the virtues of Paris and Rome, all executed with his curious blend of delicate Oriental technique and elegant Edwardian subject matter. ++ Generally good condition; a few pale stains; characteristically pale palette £2500-3500 |
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| 1565 | |||
| ETHELBERT WHITE, RWS (1891-1972) FARM BUILDINGS Signed, watercolour and pencil 29.5 x 36cm. ++ Good condition £1500-2000 |
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| 1566 | |||
ERIC HENRY KENNINGTON, RA (1888-1960) THE SWORD DRAWING KNIGHT; WILLIAM MARESHILL, EARL OF PEMBROKE; and GEOFFREY DE MARGREVILLE, EARL OF ESSEX Signed with initials and dated 43, pastels 59.5 x 50cm. Exhibited: London, The Leicester Galleries, September 1943, no.32, bt. Wing Cdr and Mrs R. G. Sims * The figures in this work were taken from Dorchester Abbey, Oxfordshire (sometimes known as the `Action Effigy` depicting Sir William de Valance the Younger as the `Sword Drawing Knight`) and the Temple Church in London (the latter two from recumbent effigies, destroyed in the Blitz in 1940) In the Leicester Galleries exhibition, presented during the dark days of World War II, Kennington showed respectful portraits of serving officers and members of the Home Guard. He was seeking to represent afresh the traditional virtues of honour, duty, bravery and chivalry that were so boldly depicted in medieval imagery and works by Sir Hans Holbein. In this richly coloured drawing, he conflates three famous depictions of `knightly virtues` to chime with the spirit of patriotism at the height of the War. ++ Good condition £1500-2000OIL PAINTINGS |
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| 1567 | |||
| AFTER ALBRECHT DURER (1471-1528) FREDERICK THE WISE, ELECTOR OF SAXONY Oil en grisaille, on panel 15 x 11cm. * Probably copied from the engraving of 1524 (Koehler 99) ++ Needs a clean £150-250 |
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| 1568 | |||
| FOLLOWER OF SEBASTIANO RICCI (1659-1734) THE VIRGIN MARY Oil on copper 12 x 9cm. ++ Some flaked losses not affecting image; needs a clean £200-250 |
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| 1569 | |||
| MANNER OF LUCA GIORDANO (1634-1705) THE DEAD CHRIST SUPPORTED BY AN ANGEL Oil on canvas 58 x 42.5cm. ++ Lined; formerly rolled, so some associated retouching £120-180 |
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| 1570 | |||
| AFTER GIOVANNI BELLINI (c.1430-1516) PORTRAIT OF DOGE LEONARDO LOREDAN Oil on panel 61 x 45cm. * A copy, probably by A J B Carrington, of the original, (c.1501, London, National Gallery) ++ Good condition £150-250 |
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| 1571 | |||
| AFTER GIOVANNI BATTISTA SALVI, IL SASSOFERRATO (1609-1685) THE HOLY FAMILY Oil on canvas 53.5 x 57.5cm. * A 19th Century copy of a subject known in three autograph versions (Chantilly, Musee Conde; Potsdam, Museum of Sanssouci; and Rome, Palazzo Doria Pamphili) ++ Four small patched repairs verso; some bloom £500-700 |
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| 1572 | |||
| MANNER OF SEBASTIANO CONCA (1680-1764) THE ANNUNCIATION Oil on canvas, in a `Florentine` frame 69 x 57.5cm. ++ Some minor flaked losses £900-1200 |
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| 1573 | |||
| GIULIA CHELI CAPELLA (1875-1915), AFTER JUSTUS SUSTERMANS (1597-1681) PORTRAIT OF PRINCE WALDEMAR CHRISTIAN OF DENMARK (1603-1647) Signed, oil on canvas 70 x 52cm. * A copy of the original in the Palazzo Pitti, Florence ++ Lined; associated retouching £1000-1500 |
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| 1574 | |||
| AFTER JUAN CARRENO DE MIRANDA (1614-1685) PORTRAIT OF CHARLES II OF SPAIN Oil on canvas 166 x 131cm. * After the original of 1671 (Madrid, Prado) Provenance: Purchased at sale of contents of Halswell House, Nr. Bridgwater, 1948 ++ Lined; scattered faults (holes, scuffs, grazes, flaking); needs a clean £1200-1800 |
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| 1575 | |||
| MANNER OF VIGILIUS ERIKSEN (1722-1782) PORTRAIT OF CATHERINE THE GREAT, EMPRESS OF RUSSIA (1729-1796) Seated half length, oil on canvas 90 x 69.5cm. ++ Lined; many flaked losses £300-500 M1576. FOLLOWER OF NICOLAES VAN VERENDAEL (1640-1691) STILL LIFE OF A BOWL OF MIXED FLOWERS AND A POCKET WATCH ON A LEDGE Oil on canvas 69.5 x 59cm. ++ Lined; some areas of slight abrasion; scattered retouching; needs a light clean M1577. CIRCLE OF GASPAR PIETER VERBRUGGEN (1664-1730) STILL LIFE OF A CARVED URN OF MIXED FLOWERS UPON A LEDGE Oil on canvas 94.5 x 70cm. ++ Lined; some associated retouching; a few scattered flaked losses; needs a clean £2000-3000 M1578. FOLLOWER OF ORAZIO GREVENBROECK (1670-1743) COASTAL CAPRICCI: FIGURES AND SAILING VESSELS NEAR RUINS AND A FORT A pair, oil on canvas Each 35 x 80.5cm. (2) ++ Each lined; scattered retouching over old damages £600-900 |
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| 1579 | |||
| FOLLOWER OF JAN FRANS VAN BLOEMEN, called ORIZZONTE (1662-1749) RIVER LANDSCAPE SCENES WITH TRAVELLERS A pair, oil on panel, mounted circular Each 21cm. approx. (2) ++ Craquelure; some retouching; each needs a light clean £600-800 |
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| 1580 | |||
| ITALIAN SCHOOL CLASSICAL LANDSCAPE WITH FIGURES NEAR A TEMPLE; TRAVELLERS IN A LANDSCAPE A pair, oil on canvas, set into trumeau mirrors Each canvas 42.5 x 58.5cm.; Each overall 117 x 66cm. (2) ++ One lined; one patched verso; each needs a clean £1500-2000 |
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| 1581 | |||
| FOLLOWER OF DAVID TENIERS THE YOUNGER (1610-1690) THE ALCHEMIST Oil on panel 33.5 x 42.5cm. ++ Needs a clean; some frosted varnish £300-500 |
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| 1582 | |||
| AFTER REMBRANDT HARMENSZ. VAN RIJN (1606-1669) SELF PORTRAIT Oil on canvas laid on board 42 x 34.5cm. * Probably derived from the 1629 self portrait (Clowes Fund, Indianapolis Museum of Art) ++ Craquelure; scattered retouching, especially apparent on face £400-600 |
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| 1583 | |||
| CIRCLE OF JOHN FRANCIS RIGAUD, RA (1742-1810) PORTRAITS OF RADCLIFFE PEARLE TODD (1762-1813) OF STURMER HALL, HAVERHILL, SUFFOLK; AND OF HIS MOTHER, ELIZABETH (nee STRUTT, d.1795) A pair, each quarter length, he wearing a red coat and mustard waistcoat, she wearing a red dress with blue mantle and a white turban, oval, oil on canvas Each 39.5 x 34.5cm. (2) ++ Each lined; a little associated retouching £1200-1800 |
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| 1584 | |||
| BENJAMIN BLAKE (1757-1830) SCENES FROM A SPORTSMAN'S LARDER A pair, oil on canvas Each 14.5 x 19.5cm. (2) ++ Each lined; a little associated retouching £800-1200 |
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| 1585 | |||
| AFTER SIR PETER LELY (1618-1680) PORTRAIT OF NELL GWYN AS A SHEPHERDESS Seated three quarter length, garlanding a sheep, oil on canvas 39.5 x 32cm. * This image derives from an uncertain original by Lely, c.1670, and was probably copied from Gerald Valck's engraving of 1673. ++ Lined; scattered retouching; craquelure £200-400 |
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| 1586 | |||
| AFTER SIR PETER LELY (1618-1680) PORTRAIT OF JAMES HARRINGTON (1611-1677) Bust length, within a painted oval, oil on canvas 47 x 36cm. * Harrington, a Royalist and staunch friend of Charles I, is best known as a combative political theorist and writer of `The Commonwealth of Oceana` (1656). The work promoted the idea of a republic without full democracy. Harrington died mad, believing that his perspiration `turned to flies and sometimes bees`. This image is derived from Lely's original of c.1658 ++ Lined; some scattered flaked losses; needs general restoration £300-400 |
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| 1587 | |||
| CIRCLE OF ENOCH SEEMAN (c.1694-1745) PORTRAIT OF A YOUNG GENTLEMAN, TRADITIONALLY THOUGHT TO BE PRINCE CHARLES EDWARD STUART, `BONNIE PRINCE CHARLIE` (1720-1788) Quarter length, wearing a blue coat with gold brocade, within a painted oval, oil on canvas 75 x 62.5cm. ++ Lined; some retouching and old damages £400-600 |
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| 1588 | |||
| ENGLISH SCHOOL, Circa 1830 PORTRAIT OF THOMAS BRASSEY (1805-1870) Half length, wearing a black coat, oil on canvas 74.5 x 62.5cm. Provenance: By descent in the family of the sitter. * Brassey was a major figure in the development of railways worldwide. He was the civil engineering contractor responsible for over one third of the railways in Britain and, by the time of his death, had overseen the construction of 5% of all the railways in the world, including massive projects in France, Canada, Australia and India. In addition, he built tunnels, bridges, viaducts and stations and employed over 80,000 people on four continents at the height of his career. Brassey was closely involved with the construction of the London sewerage system. He died in 1870 and is buried in Catsfield, Sussex. His estate was valued at £5.2million. ++ Old lining; some craquelure £150-200 |
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| 1589 | |||
| FOLLOWER OF JOHN PARTRIDGE, RA (1790-1872) PORTRAIT OF A LADY Seated half length wearing a dark green dress, oil on canvas 75 x 62.5cm. * This portrait is accompanied by a framed piece of paper, signed and dated 1826 by the sitter, possibly Fanny Tennant (not clearly legible) ++ A few flaked losses; hole in background; needs a clean; unlined £100-200 |
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| 1590 | |||
| CIRCLE OF GEORGE HENRY HARLOW (1787-1819) PORTRAIT OF GEORGE HUSSEY (d.1809), OFFICER OF THE 44th REGT, DIED AT MESSINA Bust length, wearing a russet coat and white neckcloth, bears inscription verso, oil on panel 22 x 17cm. ++ Needs a clean £200-300 |
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| 1591 | |||
| ENGLISH PROVINCIAL SCHOOL, 19th CENTURY PORTRAIT OF A BOY WITH A BIRD'S NEST The boy standing long half length, within a painted oval, oil on canvas 59.5 x 49cm. ++ Lined; associated retouching; needs a light clean £400-600 |
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| 1592 | |||
| AMERICAN SCHOOL, 19th CENTURY PORTRAIT OF NANCY RYSAM GARDINER (1823-1890), OF GARDINER'S ISLAND, NEW YORK, UPON HER MARRIAGE TO JOHN VAN NOSTRAND (1815-1889), c.1842 Half length, seated, wearing a white dress with a red and paisley shawl, oil on canvas (prepared by Edward Dechaux of New York) 75 x 62.5cm. ++ Some retouching; some flaked losses £400-600 |
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| 1593 | |||
| A 17th CENTURY ITALIAN FRAME gilded and carved, with a sinuous frieze and floral bosses Sight size 47 x 59.5cm. ++ Some losses £300-400 |
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| 1594 | |||
| CIRCLE OF PENRY WILLIAMS (1798-1885) FIGURES IN AN ITALIAN GARDEN AT EVENING Oil on panel 41 x 64.5cm. ++ Some cracks with associated losses; a little thin in places; needs a clean £400-600 |
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| 1595 | |||
| ENGLISH SCHOOL, 19th CENTURY VESSELS ON A CALM Oil on board 9.5 x 14cm. ++ Needs a clean £120-180 |
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| 1596 | |||
| ATTRIBUTED TO JAMES ARTHUR O'CONNOR (1792-1841) TWO FIGURES WITH A DOG, RESTING ON A COUNTRY ROAD Oil on canvas 44.5 x 59.5cm. * Possibly a view in Co. Wicklow, with Sugarloaf Mountain in the distance. ++ Lined; some associated retouching; thin areas in sky; craquelure £300-500 |
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| 1597 | |||
| CIRCLE OF GEORGE MULLINS (c.1756-1775) RIVER LANDSCAPE WITH FIGURES UNDER TREES, RUINS BEYOND Oil on canvas 70 x 90cm. * Formerly ascribed to Richard Wilson, RA (1713-1782) ++ Lined; craquelure; flaked losses and retouching; needs a clean £300-500 |
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| 1598 | |||
| ATTRIBUTED TO SEBASTIAN PETHER (1790-1844) FIGURES BY A CAMPFIRE AT NIGHT Oil on panel 27 x 37cm. ++ Some surface grazes and superficial damages; scattered retouching £200-300 |
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| 1599 | |||
| AFTER GEORGE MORLAND (1763-1804) A SOW WITH HER LITTER IN A YARD Oil on board, unframed 43 x 53cm. ++ Some bumps and damage at corners; scattered craquelure; needs a clean £150-200 |
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| 1600 | |||
| FOLLOWER OF JAMES WARD, RA (1769-1859) AN ITALIANATE LANDSCAPE WITH A PASTORAL SCENE Oil on board 29 x 35cm. ++ Some craquelure; needs a clean £300-400 |
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| 1601 | |||
| ATTRIBUTED TO JAMES BAKER PYNE (1800-1870) RIVER LANDSCAPE SCENE WITH FIGURE IN A PUNT, A BUILDING AMIDST TREES BEYOND Oil on canvas (by John Frost of Bristol), unframed 43 x 76cm. ++ Some flaked losses; dabs of scattered retouching £100-150 M1602. ENGLISH SCHOOL, 19/20th CENTURY SYNT GEORGE PRAY FOR WS: A `MEDIEVAL` CAPRICCIO Oil on panel 44.5 x 78.5cm. ++ Needs a light clean £300-400 |
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| 1603 | |||
| FOLLOWER OF PAUL VAN SOMER (1576-c.1621) PORTRAIT OF LADY JEAN SETON Half length, wearing a brocaded dress with lace collar, with inscription L I S/ ANNO 1618/ AETATIS 12, oil on panel 66 x 53cm. * Lady Jean (c.1606-1625) was the daughter of Alexander Seton, 1st Earl of Dunfermline. Her son by John Hay, 1st Earl of Tweeddale, became the 1st Marquess of Tweeddale. Exhibited: Edinburgh, Loan Exhibition of Works by Old Masters and Scottish National Portraits, 1883 (lent by the Marquess of Tweeddale, Yester House, Haddington) Provenance: By descent in the family of the sitter (see also lot 1607) ++ Extensive bitumen damage; split upper centre £1200-1800 |
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| 1604 | |||
| CIRCLE OF CHARLES DE LA FOSSE (1636-1716) A PERSONIFICATION OF THE ARTS Oil on canvas 74.5 x 61cm. Provenance: London, Sothebys, 1971 ++ Lined; some craquelure; some retouching; needs a clean £2000-3000 M1605. ATTRIBUTED TO PETER MONAMY (1681-1749) THE EVENING GUN Bears a signature, oil on canvas 73 x 60.5cm. ++ Lined; a little associated retouching; needs a clean £2500-3500 |
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| 1606 | |||
| JOHN NOST SARTORIUS (1759-1828) A GENTLEMAN RIDING OUT ON A BAY HUNTER IN A PARK Signed and dated indistinctly, oil on canvas 57 x 67cm. Provenance: Purchased by the owners in 1979 ++ Lined; associated retouching £3000-4000 |
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| 1607 | |||
| SIR FRANCIS GRANT, PRA (1803-1878) PORTRAIT OF GEORGE HAY, EARL OF GIFFORD (1822-1862) Standing full length in a wood, his pony at his side, oil on canvas 68.5 x 48cm. * Lord Gifford was the eldest son of the 8th Marquess of Tweeddale. After Cambridge, he was a Captain in the East Lothian Yeomanry Cavalry. He served as a Liberal MP for Totnes. The Earl won the hand of the Dowager Baroness Dufferin and Claneboye following an accident in the grounds of Yester Castle (now a ruin near the village of Gifford in East Lothian). His injuries proved fatal and he died two months after the marriage. There was no issue so the title and estate passed to his brother, Arthur. Exhibited: London, The Fine Art Society, November 1974 Provenance: By descent in the family of the sitter (see also lot 1603) ++ Lined; a little associated retouching £1500-2000 |
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| 1608 | |||
| PAUL FRANCOIS QUINSAC (1858-1932) THE SPRING BONNET Signed and dated 1891, oil on canvas 34.5 x 27cm. ++ Good condition £2000-3000 |
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| 1609 | |||
| ADOLPHE ALEXANDRE LESREL (1839-1929) THE SPORTSMAN Signed and dated 1903, oil on panel 24.5 x 17.5cm. Provenance: London, with Messrs H & P de Casseres; MacConnal-Mason & Son Ltd ++ Needs a light clean £1500-2000 |
| Auction Details - AUCTION ALREADY HELD | |||
| Fine Art Sale (Day 3 of 3) | |||
| Auctioneer: | Lawrences, Crewkerne | Location: | South Street, Crewkerne |
| Contact: | Telephone: 01460 73041 Fax: 01460 270799 | ||
| Date: | 18th January 2013 | Time: | 11:00AM |
| Details: | Viewing Details: Friday 11th January, 9am-4.30pm Saturday 12th January, 9am-1pm Monday 14th January, 9am-4.30pm Tuesday 15th January, 9am-7pm Wednesday 16th and Thursday 17th January, 9am-4.30pm Friday 18th January 9am-10.30am |
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