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| Auction Details - AUCTION ALREADY HELD | |||
| Fine Art Sale (Day 3 of 3) | |||
| Auctioneer: | Lawrences, Crewkerne | Location: | South Street, Crewkerne |
| Contact: | Telephone: 01460 73041 Fax: 01460 270799 | ||
| Date: | 18th January 2013 | Time: | 11:00AM |
| Details: | Viewing Details: Friday 11th January, 9am-4.30pm Saturday 12th January, 9am-1pm Monday 14th January, 9am-4.30pm Tuesday 15th January, 9am-7pm Wednesday 16th and Thursday 17th January, 9am-4.30pm Friday 18th January 9am-10.30am |
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| Page: | 1 2 3 4 5 6 7 8 9 10 11 12 13 | ||
| Auction Lots - Page 1 | |||
PRINTS | |||
| 1451 | |||
| AFTER GEORGE HAYWARD (19th Century) NEW YORK, ABOUT 1790 Tinted lithograph for `D. T. Valentine's Manual`, c.1862, published by Edward Crommelin, New York 36.5 x 49.5cm. ++ Trimmed on three sides; tears, stains, creases and folds £50-70 |
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| 1452 | |||
| AFTER GEORGE STUBBS, ARA (1724-1806) BARONET Stipple engraving, by G. T. Stubbs, republished by E. Orme, 1817 19 x 24.5cm. ++ Needs a clean £100-150 |
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| 1453 | |||
| AFTER THOMAS GIRTIN (1775-1802) VIEW OF THE BRIDGE OF CHAILLOT Aquatint, printed in sepia, by F. C. Lewis, from `Twenty Views of Paris`, published by the artist's brother in 1803 Image 12.5 x 47cm. Provenance: London, Thos. Agnew & Sons Ltd ++ One obvious old crease; needs a light clean £60-100 M1454. FRENCH SCHOOL, MID-18th CENTURY LONDRES: VILLE CAPITAL DU ROYAUME D'ANGLETERRE Engraving with hand colouring, paginated No.24 upper right 32.5 x 51cm.; with three coloured engravings of St. James's Park, Windsor Castle and London from Greenwich, after Rigaud, Brookes and Tillemans, 22 x 38cm. approx. (4) ++ Each in need of a clean; staining in the more minor examples £100-200 |
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| 1455 | |||
| LOUIS ICART (1880-1950) (THE SAUCY CAT) Etching, partially printed in colour, signed in pencil and numbered 3/100 22.5 x 30cm. ++ Paper light stained; some foxing £300-400 |
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| 1456 | |||
| ALGERNON TALMAGE, RA (1871-1939) (FEEDING THE HORSES) Etching, signed in pencil 14.5 x 25cm. ++ A good impression; good condition £100-150 |
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| 1457 | |||
| SIR HENRY GEORGE RUSHBURY, RA, RWS (1889-1968) LES BAUX, PROVENCE Etching with drypoint, 1922, on wove, edition of 50, signed in pencil, the full sheet 24 x 34cm. Exhibited: London, The Royal Academy, 1922, no.1026 (another impression) ++ Good condition £200-300 |
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| 1458 | |||
| RUSKIN SPEAR, RA (1911-1990) (CIRCUS HORSES) Lithograph, 1933, signed and dated, numbered 41/100, rare 36.5 x 29.5cm. ++ A few pale spots of foxing £300-400 |
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| 1459 | |||
| GIOVANNI BATTISTA PIRANESI (1720-1778) VEDUTA DEL ROMANO CAMPIDOGLIO CON SCALINATA CHE VA ALLA CHIESA D'ARACELI (Hind 38) Etching, 1775, from Vedute di Roma, a good impression 38 x 53cm. ++ A strongly printed impression; some pale mat burn £300-500 |
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| 1460 | |||
| AFTER JAMES WARD & G. BONNER (19th Century) JEM WARD'S PICTURE OF THE GREAT FIGHT BETWEEN TOM SAYERS AND J. C. HEENAN Lithograph with some hand colouring, published by F. R. Scofield of Brixton, c.1860 Image 54 x 88.5cm. * This celebrated match took place at Farnborough, Hampshire on April 17th 1860 and was the first heavyweight bout for the world title. The match was contested on the border between Hampshire and Surrey. It was an illegal, bare-knuckle contest so the competitors could evade the county constabularies by edging into the neighbouring county if apprehended. After two hours of vicious fighting and 37 rounds of relentless punches, Sayers had to be saved from strangulation after becoming trapped on the ropes. The fight was declared a draw and a championship belt was awarded to each man. ++ Generally good condition except for severe discoloration of the paper £500-700 M1461. JOHN WALLIS (Publisher) SIDMOUTH, DEVON Aquatint with etching, with hand colouring, c.1820 29 x 88cm. ++ A good impression but needs a light clean £100-200 |
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| 1462 | |||
| FRANCIS DODD, RA, RWS (1874-1949) (SIR DAVID MUIRHEAD) BONE (1876-1953), AT THE PRESS Etching with drypoint, 1908, signed and dated within the plate, also signed in pencil 30 x 26cm. * This image of Dodd's brother in law and close friend is considered to be the best portrait of Bone. See Dodd's portrait of Bone's son (lot 1463) ++ Creases; needs a clean £500-700 |
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| 1463 | |||
| FRANCIS DODD, RA, RWS (1874-1949) PORTRAIT OF STEPHEN BONE (1904-1958), WOODCUTTING Etching, 1928, signed in pencil 32.5 x 28.5cm. ++ Not laid down; very slight time staining £300-400 |
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| 1464 | |||
| HENRI FANTIN LATOUR (1836-1904) EVE (Hediard 126) Lithograph, 1896, from the edition of fifty, signed in pencil and dedicated to Alexander Reid, wide margins 46.5 x 37.5cm. * The dedication to Alexander Reid is interesting. Reid (later of the eponymous London art dealership Alex. Reid & Lefevre) worked with Theo Van Gogh in Paris and shared an apartment in Montmartre with Theo and Vincent. Alex Reid was almost identical in appearance to Vincent Van Gogh and Van Gogh's 1887 portrait of Reid (now in Glasgow) was long thought to be a self portrait. ++ Some soiling in the margins £400-600 |
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| 1465 | |||
| WALTER RICHARD SICKERT, RA (1860-1942) THE OLD BEDFORD MUSIC HALL Etching, the only state, unsigned 11 x 8.3cm. ++ Slightly rubbed along plate mark on left; slight time staining £300-400 |
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| 1466 | |||
| AFTER SIR SIDNEY NOLAN, OM (1917-1992) CAMP Screenprint in black and silver, 1966-1967, signed and numbered 14/70 69 x 49.5cm. ++ Tipped onto support sheet; no margins on three sides (as issued) £150-200 |
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| 1467 | |||
| AFTER FRED TAYLOR (1875-1963) MR. PICKWICK - THE ANCIENT HOUSE Chromolithograph, poster for `London & North Eastern Railway, Ipswich`, printed by The Dangerfield Printing Co. Ltd, 1928, now lacking the railway legend in margin Image 72 x 114cm. ++ A little fading; needs a clean; laid down £150-200 |
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| 1468 | |||
| GRAHAM SUTHERLAND (1903-1980) EMERGING INSECT (Tassi 103) Lithograph, 1968, from `A Bestiary and Some Correspondence`, printed by Mourlot, published by Marlborough Fine Art, signed and numbered 44/70 Sheet 65.7 x 49.7cm. ++ Generally very good condition £200-300 |
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| 1469 | |||
| DAVID HOCKNEY, RA (b.1937) MAURICE PAYNE (SAC 123) Etching, 1971, on wove, signed and dated 71 in pencil, numbered 5/75, published by Petersburg Press Image 69 x 54cm. ++ Good condition; the full sheet; some very slight cockling in outer edges of margins £1500-2000 |
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| 1470 | |||
| EDWARD ARDIZZONE (1900-1979) STREET CORNER (NAP 55) Lithograph, 1956, signed, inscribed with title and numbered 18/30 24 x 26cm. ++ Good condition; needs a very light clean only £300-500 |
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| 1471 | |||
| BERNARD DUNSTAN, RA (b.1920) THE GABRIELI QUARTET AT STOURHEAD Colour lithograph, 1987, signed and numbered 126/200 in pencil, unframed 37 x 38cm. ++ A few spots of foxing; 2cm tear in extreme right margin £120-180 |
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| 1472 | |||
| HENRY MOORE, OM (1898-1986) STONEHENGE XIII - ARM AND BODY (Cramer 219) Lithograph, from `Stonehenge Suite`, 1971-1973, published 1974 by Ganymed Original Editions, printed by J. E. Wolfensberger AG, Zurich, from the total edition of 85, signed in pencil, numbered 25/60 Pl.13 29 x 45.5cm. ++ Some slight wear and old minor creases; full margins £150-250 |
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| 1473 | |||
| DAME ELISABETH FRINK, DBE, RA (1930-1993) YOUNG BARN OWL (FROM `SIX OWLS`) (W.120) Aquatint with etching, 1977, signed in pencil and inscribed A/P (one of ten artist's proofs aside from the edition of 75), published by Leslie Waddington Prints Ltd 53.5 x 45.5cm. ++ Good condition; the full sheet £1500-2000 |
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| 1474 | |||
| CHRISTOPHER RICHARD WYNNE NEVINSON, ARA (1889-1946) FROM WATERLOO BRIDGE Drypoint, 1925, on wove, signed in pencil, from the edition of 40 27 x 17cm. ++ Good condition £2000-3000 |
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| 1475 | |||
CHRISTOPHER RICHARD WYNNE NEVINSON, ARA (1889-1946) LONDON BRIDGES Drypoint, 1924, on wove, signed in pencil, a good impression with dark contrasts in the burr, rare 24.5 x 35cm. ++ Good condition; slight time staining £2000-3000WATERCOLOURS AND DRAWINGS |
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| 1476 | |||
| CIRCLE OF SEBASTIANO RICCI (1659-1734) SOLDIERS ESCORTING TWO FEMALE WARRIORS ON HORSEBACK Graphite and white chalk on blue paper 31 x 25cm. ++ A few pale stains; some creases and wear £1000-1500 |
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| 1477 | |||
| AFTER CORNELIUS LE BRUYN (b.1652) THE HOLY SEPULCHRE, JERUSALEM: THE ROTUNDA; EXTERIOR VIEW Two, grey ink and wash 36.5 x 35cm.; and 32 x 47cm.; with two further items, to include a watercolour of `An Armenian Lady going to the Bath`, 18.5 x 11.5cm.; and an Indian School gouache of three men in a howdah upon an elephant, with a one rupee Court Fee Stamp for the Jaipur Government, 34 x 22.5cm. (4) * The first two items are apparently copied from plates in `Le Voyage au Levant` (publ.1700). They may be by a French hand. ++ Each needs a clean; the last item severely discoloured £300-500 |
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| 1478 | |||
| CIRCLE OF BARBARA REGINA DIETZSCH (1706-1783) DANDELION WITH A BEETLE AND BUTTERFLIES; ROSE WITH A BUTTERFLY AND A SPIDER; ROSE WITH A BEETLE Three, gouache Each 28 x 20cm. (3) ++ Each with a little rubbing or old slight wear, not affecting central image £800-1200 |
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| 1479 | |||
| A GROUP OF FIVE OLD MASTER DRAWINGS to comprise works by or attributed to Sir William Beechey, Portrait of a mother and child, pencil and brown wash, 40 x 28cm.; Giovanni Battista Cipriani, Woman with three children, pencil and red chalk, 19 x 11.5cm.; Marie Francoise de Saint-Aubin, Lady walking with a dog, 1781, pencil and red chalk, 15 x 9cm. (see illus.); Baron de Sandoz-Rollin, Italian peasant, pen and sepia wash, 14.5 x 10cm.; and a pencil and red chalk study of a child, style of Josiah Slater, 20 x 17.5cm. (5) ++ Mixed condition; some with a few slight old creases and in need of a clean £450-650 |
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| 1480 | |||
| AFTER ROSALBA CARRIERA (1675-1757) NAKED WOMAN IN A BLUE MANTLE Pastels, carved wood frame 34 x 28cm. * A copy of the original in the Gemaldegalerie, Dresden (30 x 26cm.) ++ Good condition £200-300 |
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| 1481 | |||
| CIRCLE OF CONSTANTIN GUYS (1802-1892) MOUNTED CAVALRY OFFICER ON A FIELD OF BATTLE Pen and ink with coloured chalks 27 x 22.5cm. Provenance: Formerly in the collection the engraver, Edgar Spilsbury ++ Some foxing £120-180 |
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| 1482 | |||
| A 19th CENTURY ALBUM containing a variety of watercolours and drawings by various hands, to include two small Neapolitan gouaches; watercolours by Whichelo; pencil or watercolour portraits after Van Dyck, Reynolds, Kauffmann, Guercino, Bartolozzi, Morland etc; a chalk drawing of the young Bacchus in the style of Jacob de Wit [see illustration]; a few Continental gouaches of costume subjects; a view of Florence from the Arno (?); a watercolour of scholars near Hertford Castle; small pencil studies and scraps etc; most circa 1800-1840, evidence of items removed, gilt leather binding by C. Lewis, small fo. ++ Generally good condition; grazes to binding £300-500 |
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| 1483 | |||
| FOLLOWER OF SAMUEL HIERONYMUS GRIMM (1733-1794) LANDSCAPE SCENE WITH COWS AND HORSES NEAR BARNS Watercolour and pencil 26.5 x 41.5cm. ++ A little fading £100-200 |
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| 1484 | |||
| C. JOHN MAYLE WHICHELO (d.1865) EARLY SPRING, GRAVEL CARTING, NORWOOD Signed and dated indistinctly, signed and inscribed with title on a label on the backboard, watercolour and pencil 33 x 43cm. ++ A little faded/discoloured £200-300 |
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| 1485 | |||
| WILLIAM HAVELL (1782-1857) VILLA AND CASCADE Watercolour 26 x 36cm.; with a watercolour attributed to William Leighton Leitch, 14 x 21cm.; and another in the style of Francis Nicholson, 16 x 21.5cm. (3) Exhibited: (Havell) London, The Fine Art Society Ltd, December 1967 ++ The `Leitch` discoloured; the others generally good £400-600 |
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| 1486 | |||
| FRANCIS NICHOLSON (1753-1844) DOVER Signed, watercolour and pencil 36 x 51cm. ++ Needs a clean; some foxing and blemishes £300-400 |
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| 1487 | |||
| CIRCLE OF WILLIAM HAVELL (1782-1857) MOUNTAIN TORRENTS Watercolours 41 x 54cm. Provenance: London, Rayner MacConnal ++ Needs a clean £100-200 |
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| 1488 | |||
| CIRCLE OF JOHN CONSTABLE, RA (1776-1837) A VILLAGE SCENE WITH A CHURCH Watercolour and pencil 10.5 x 16.5cm. * Formerly ascribed to Constable by Graham Reynolds in May 1961 (inscription on backboard) ++ Faded £70-100 |
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| 1489 | |||
| HUGH WILLIAM `GRECIAN` WILLIAMS (1773-1829) FIGURES ON A STONE BRIDGE NEAR A VILLAGE (WESTMORLAND?) Watercolour 20.5 x 29cm. ++ Needs a clean; some foxing; slightly pale £300-400 |
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| 1490 | |||
| A GROUP OF NINE WATERCOLOURS to comprise works by or attributed to Henry G. Gastineau (Neath Abbey; Haymaking Scene), Thomas M. Richardson (Robin Hood's Bay, see illustration), Lodewijk J. Klein, Paul Marny, James D. Harding and others, various sizes (9) ++ MIxed condition; generally faded/discoloured; silverfish damage etc. £400-600 |
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| 1491 | |||
| ATTRIBUTED TO THOMAS CHARLES LEESON ROWBOTHAM Jnr (1823-1875) COASTAL SCENE WITH A RUINED CASTLE UPON A HILL Watercolour and pencil heightened with white 23.5 x 41.5cm. with three further watercolours, to include a courtyard, style of William Alexander; a river scene in grey wash, style of John Glover; and a pencil study of figures with a horse and cart, style of William Henry Pyne, various sizes (4) ++ Each in generally good condition; each needs a clean £150-250 |
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| 1492 | |||
| RICHARD REDGRAVE, RA (1804-1888) HORSE AND CARRIAGE ON A STONE BRIDGE (IRELAND OR SCOTTISH HIGHLANDS?) Signed and dated 1836, watercolour and pencil 23 x 33.5cm. ++ Slightly faded £200-300 |
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| 1493 | |||
| PAUL HUET (1803-1869) NATIVITY (LA VIERGE A LA CRECHE), 1844 Pen and brown ink, studio stamp 22 x 32.5cm. Provenance: London, Heim Gallery, Winter 1969, no.58 Exhibited: Paris, Louvre, Centenarie du Romantisme, May 1930, no.96 ++ A few pale scattered stains; time stained £300-400 |
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| 1494 | |||
| CIRCLE OF PIETRO ANTONIO ROTARI (1707-1762) A SLEEPING GIRL Pastels 37 x 44cm. ++ A little surface dirt; original gilt frame £1500-2000 |
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| 1495 | |||
| WILLIAM MOORE (1790-1851) THE YOUNG GARDENERS: THREE SIBLINGS WITH A DOG IN A LANDSCAPE Signed and dated 1834, watercolour and pencil 43 x 54.5cm. Provenance: Probably Sir Guy Campbell (his name upon a label on the frame) ++ Time stained; needs a light clean £1000-1500 |
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| 1496 | |||
| GEORGE CHINNERY (1774-1852) FIGURES BENEATH A PARASOL, A MONASTERY UPON A HILL BEYOND, PROBABLY IN MACAO Watercolour and pencil 14.5 x 24cm. * Compare `Macao, Portuguese Monastery`, August 1842 (Peabody Essex Museum, Salem, Massachusetts) ++ Faded; foxing £1000-2000 |
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| 1497 | |||
| EDWARD LEAR (1812-1888) MONTE GENEROSO Inscribed Mte Generoso/24 July. 1878/ 4.30.P.M. (in ink, over his own pencil inscription), pen and brown ink with blue wash, over traces of pencil 15.5 x 25.5cm. * Lear spent six summers at Monte Generoso on the Swiss/Italian border from 1878 to 1883 and was captivated by the outstanding panoramas that greeted his ever attentive eye. This drawing dates from his first visit. ++ Some pale foxing; needs a clean £1500-2000 |
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| 1498 | |||
| WILLIAM J. WHICHELO (Fl.1838-1856) STONY CROSS, NEW FOREST, HAMPSHIRE Signed and inscribed on a label on the backboard, watercolour and pencil heightened with gum arabic 74 x 103.5cm. * The view depicted commemorates the spot near Cadnam where Walter Tyrrell (1065-c.1100) was alleged to have shot King William II with an arrow in 1100. It is more commonly known nowadays as `The Rufus Stone`. Provenance: London, Sothebys, November 20th 1986 ++ Extensive discoloration; needs a clean £400-600 |
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| 1499 | |||
| THOMAS ROWLANDSON (1756-1827) A NUN AT PRAYER IN A BEDCHAMBER Signed and dated 1803, pen and sepia ink with watercolour washes 13 x 18cm. Provenance: The family of Charles Cundall, RA ++ Faded; a little foxing £150-200 |
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| 1500 | |||
| SELINA CRAWFORD CAFFIN (Fl.c.1834) THE CAKE IN DANGER Signed and dated 1834 verso, watercolour 18.5 x 16.5cm. * After John Russell's RA exhibit of 1788 (no.421) and probably copied from William Nutter's engraving. The sitter is believed to be the artist's son, Tom. ++ Generally good condition £150-200 |
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| 1501 | |||
| THOMAS WALMSLEY (1763-1806) FIGURES BY A WATERFALL, PROBABLY ON THE DARGLE Gouache 24 x 33.5cm. ++ Good condition £300-400 |
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| 1502 | |||
| JOHN WHITE (1851-1933) THE OPEN MOOR, DARTMOOR, YES TOR IN THE DISTANCE Signed, gouache 17.5 x 51.5cm. ++ Good condition £120-180 |
| Auction Details - AUCTION ALREADY HELD | |||
| Fine Art Sale (Day 3 of 3) | |||
| Auctioneer: | Lawrences, Crewkerne | Location: | South Street, Crewkerne |
| Contact: | Telephone: 01460 73041 Fax: 01460 270799 | ||
| Date: | 18th January 2013 | Time: | 11:00AM |
| Details: | Viewing Details: Friday 11th January, 9am-4.30pm Saturday 12th January, 9am-1pm Monday 14th January, 9am-4.30pm Tuesday 15th January, 9am-7pm Wednesday 16th and Thursday 17th January, 9am-4.30pm Friday 18th January 9am-10.30am |
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| Page: | 1 2 3 4 5 6 7 8 9 10 11 12 13 | ||