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| Auction Details - AUCTION ALREADY HELD | |||
| Summer Catalogue Sale (Day 1 of 2) | |||
| Auctioneer: | Tennants Auctioneers | Location: | The Auction Centre, Leyburn |
| Contact: | Telephone: +44 (0) 1969 623780 Facsimile: +44 (0) 1969 624281 | ||
| Date: | 13th July 2012 | Time: | 10:00AM |
| Details: | Viewing: Sunday 8 July 11 am to 4 pm Monday 9 July 9 am to 4 pm Tuesday 10 July 9 am to 4 pm Wednesday 11 July 9 am to 4 pm Thursday 12 July 9 am to 4 pm |
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| Page: | 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 | ||
| Auction Lots - Page 8 | |||
| 353 | |||
| Follower of Pieter Janz Saenredam (1597-1665) Dutch Figures in a cathedral interior Oil on oak panel, old wax seal verso, 27cm by 33cm £8000 - 10000 |
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| 354 | |||
| Circle Hendrick de Clerck (16th/17th century) The Adoration, kneeling figure with Madonna and the infant Christ Oil on copper, 22cm by 16.5cm £400 - 600 |
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| 355 | |||
| Italian School (17th/18th century) Two peasants with a child and a dog on a path; River scene with figures beside trees Oil on panel, each 22cm by 22.5cm (pair) £600 - 800 |
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| 356 | |||
| Italian School (18th century) A Venetian scene with figures in boats in the foreground, other figures and gondolas nearby Oil on canvas, 102cm by 126cm, in a carved giltwood and gesso plaster frame £2500 - 3000 |
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| 357 | |||
| Italian School (17th/18th century) Portrait of a Saint, holding a book and looking upwards Oil on canvas, 66.5cm by 57cm, unframed, possibly a fragment £700 - 1000 |
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| 358 | |||
| Attributed to Baltha (18th century) Saint Anthony, seated, three quarter length, wearing robes and holding a crucifix Inscribed Giorgone, oil on panel, 37cm by 27cm, in an 18th century carved giltwood plaster gesso frame £800 - 1200 |
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| 359 | |||
| After Raphael (18th century) Holy Family with the infant St John the Baptist in an Italianate landscape Oil on canvas, 68.5cm by 56cm £1500 - 2000 |
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| 360 | |||
| After Sir Peter Paul Rubens (18th century) The Holy Family beneath a tree with attendants nearby Bears a later indistinct signature and inscribed Rubens on the old frame, oil on canvas, 57.5cm by 50cm This is a copy of the Ildefonso Altar painted by Rubens in 1630, now in the Kunsthistorisches Museum in Vienna. £1500 - 2000 |
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| 361 | |||
| After Corregio (18th/19th century) Holy Family with the infant Christ Inscribed verso Maria Finch, also bearing Maria Finch's collector's label and her Heraldic Coat of Arms, oil on canvas, 44.5cm by 33cm £400 - 600 |
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| 362 | |||
| After Rembrandt van Rijn (18th/19th century) Portrait of a lady, seated, half length, cutting her nails Oil on canvas, 121cm by 102cm £1000 - 1500 |
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| 363 | |||
| Style of Gaspar Pieter Verbruggen (18th century) Still life of flowers in an urn upon the base of a stone column Bears the artist's name on the original slip, oil on canvas, 48.5cm by 40.5cm £1200 - 1500 |
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| 364 | |||
| Follower of Peter de Hooch (19th century) A mother and child in an interior, the mother preparing vegetables Inscribed on a plaque, oil on panel, 33cm by 28.5cm £350 - 400 |
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| 365 | |||
| Patrick Nasmyth (1787-1831) "Landscape with Figures" Signed, inscribed on an exhibition label verso, oil on panel, 19cm by 26.5cm £800 - 1200 |
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| 366 | |||
| Circle of James Holland (19th century) Horse and carriage with figures outside a country house; Country house with a figure on horseback; Country church with figures, a pond in the foreground Oil on canvas, each 33cm by 47cm (a set of three) £1500 - 2000 |
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| 367 | |||
| John Rathbone (1750-1807) York Minster from the Ouse Signed, oil on canvas, laid down on panel, 18cm by 27.5cm £500 - 700 |
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| 368 | |||
| Sir Peter Francis Bourgeois (1756-1811) Figure on horse drawn cart on a country road; Drover seated with his dog, cattle by his side Both inscribed on a plaque, oil on canvas, oval, each 33cm by 41cm (pair) Bourgeois was a landscape and historical painter. Born in London, 1756, his father was a Swiss émigré watchmaker. He became a pupil of de Loutherbourg c. 1774-76, and imitated his subject matter. The dealer Noel Desenfans, made Bourgeois his heir. Through Desenfans, Bourgeois was appointed painter to the King of Poland, who knighted him. In April 1791 George III allowed him to use the title in England. The artist established the Dulwich College Gallery with pictures bequeathed to him by Desenfans. His own works can also be found there. £2000 - 3000 |
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| 369 | |||
| William Etty RA (1787-1849) Study of a female nude, from behind, standing in a pool by trees Inscribed verso by a later hand, oil on board, 66cm by 48cm Etty was born in York, the seventh child of a miller and baker. In 1798 he was apprenticed to a printer, and in 1807 entered the Royal Academy Schools. Inspired by Rubens and Titian, he was best known for his nudes and historical paintings, but also painted landscapes and portraits. £6000 - 8000 |
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| 370 | |||
| William Etty RA (1787-1849) "Study of a Female Nude" Inscribed by a later hand verso, oil on board, 66.5cm by 51.5cm This work has been authenticated by Fairfax House Museum, York £1000 - 1500 |
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| 371 | |||
| Follower of Johann Kerseboom (17th/18th century) Portrait of James Butler, 2nd Duke of Ormond, wearing armour, his left hand resting on a helmet Inscribed Duke of Ormond, also inscribed on a plaque, oil on canvas, 126.5cm by 101cm James Butler (1665-1745) lived at Kilkenny Castle, was High Constable of England and Lord of the Bed Chamber. He was impeached for High Treason on the 21 June 1715 and went to live in France. £1500 - 2000 |
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| 372 | |||
| School of Francis Hayman (18th century) Portrait of Peg Woffington, seated on a terrace, holding an oyster in her left hand Inscribed on a section of canvas glued to the reverse, oil on canvas, 104cm by 101.5cm An Irish actress, born Margaret Woffington in Dublin 1720, "Peg" worked in Dublin theatres from the age of ten. In 1740 she made her debut in Covent Garden and was known for comic parts and Shakespearean roles. Notorious for her bitter rivalry with other actresses (in 1757 she stabbed Mrs Bellamy during a performance) she was also known for her love affairs, including David Garrick, who wrote songs for her including My Lovely Peggy'. £2000 - 4000 |
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| 373 | |||
| Studio of Sir Godfrey Kneller (18th century) Portrait of Mrs James, only daughter of Sir Thomas Wyndham Bt, half length, wearing period costume Inscribed on a plaque and label verso, oil on canvas, painted oval, 75cm by 63cm £1200 - 1800 |
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| 374 | |||
| English School (18th century) Portrait of a gentleman, head and shoulders, wearing period costume and powdered wig Oil on canvas, oval, 76cm by 64.5cm £500 - 700 |
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| 375 | |||
| Follower of Nicolas de Largilliere (18th century) Portrait of a French officer, half length, wearing uniform and brown cloak Oil on canvas, 85.5cm by 75cm £1500 - 2000 |
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| 376-377 | |||
| No Lots |
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| 378 | |||
| William Yellowlees (1796-1856) Portrait of John Robert Tennant Esq., of Chapel House Co. Yorks, half length, standing Inscribed on an old label verso, also inscribed on a plaque, oil on canvas, 38cm by 32cm £300 - 400 |
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| 379 | |||
| English School (early 19th century) Portrait of a lady, half length, seated, wearing a red dress; Portrait of a gentleman, half length, seated, wearing a green coat Oil on panel, oval, each 26.5cm by 21.5cm (pair) £600 - 700 |
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| 380 | |||
| English School (early 19th century) Portrait of an army officer, half length Oil on canvas, 30.5cm by 25.5cm £200 - 300 |
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| 381 | |||
| English Provincial School (circa 1830-1840) Portrait of a boy, dressed in period costume, seated beside a tree Oil on canvas, 92cm by 72cm £1000 - 1500 |
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| 382 | |||
| George Harcourt Sephton (ex.1885-1923) "Portrait of Edward Herbert (b.1851)" Signed, inscribed "painted by George Sephton March 1921" verso, oil on canvas, 76cm by 63cm, in an 18th century carved giltwood frame Edward Herbert was a London Stockbroker. He was the father-in-law of Rev Ernest Thorold (1879-1940) the Chaplain General to King George V and Edward VIII and the British Armed Forces £300 - 400 |
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| 383 | |||
| Sir Henry Raeburn (1756-1823) Portrait of Willoughby Wood and Arthur Thorold Wood, one boy seated on a bench, the other on the floor nearby holding flowers Inscribed by a later hand and dated 1824, oil on canvas, 127cm by 101cm The sitters are the first and fourth sons of Charles Thorold Wood of Thoresby , Lincolnshire, a Captain in the Royal Horse Guards. On 1 January 1812 he married Jane Thorold, daughter of Sir John Thorold, 9th Bt., of Syston Park, Lincolnshire. The picture and its pendant (sold at Christie's on 10 November 1995, lot 30) are referred to in a letter written by the sitters' mother in Edinburgh, in which she records that her children had been painted by "Mr. Henry Raeburn". Henry Raeburn was born at Stockbridge, Edinburgh. After he left school he was apprenticed, at the age of sixteen, to an Edinburgh jeweller, during which time he began to paint portrait miniatures. Raeburn began to make his name as a painter of full-sized portraits in oil following his return to Edinburgh from Rome in the mid-1780s. He developed a distinctive, individual method of lighting his subjects. Success led to the establishment of his studio at York Place. Living and working in Edinburgh for the rest of his life, Raeburn painted the portraits of many distinguished gentlemen and their family members. Honoured in his final years, Raeburn was knighted in 1822 and was appointed the King's painter and limner in Scotland in 1823. £10000 - 15000 |
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| 384 | |||
| Attributed to Edwin Long RA (1829-1891) Portrait of a young lady, half length, holding a lute Bears initials, the inscription Roma and date 1863, oil on canvas, 77.5cm by 64cm It has been suggested that the composition of this work bears similarity to that of George Frederick Watts as well as Charles Edward Perugini. The pose, costume and colouring all indicate the strong influence of Venetian painting of the early 16th century. £4000 - 6000 |
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| 385 | |||
| Edmund John Niemann (1813-1876) "Redmire Mill, Wensleydale" Signed, inscribed and dated (18)61, also inscribed on the original frame, oil on canvas, 66.5cm by 61cm £1000 - 1500 |
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| 386 | |||
| Edward H Niemann (fl.1863-1887) Richmond Castle on the River Swale at twilight Signed, oil on canvas, 56cm by 98cm £1400 - 1600 |
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| 387 | |||
| Edward Henry Holder (fl.1864-1917) Lakeland landscape with trees beside a river Signed and dated 1888, oil on canvas, 51cm by 76.5cm £1000 - 1500 |
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| 388 | |||
| Ernest Walbourn (fl.1897-1904) Summer river landscape, with a girl, ducks and chickens Signed, oil on canvas, 51cm by 76cm £2000 - 3000 |
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| 389 | |||
| John Emms (1843-1912) Two children feeding chickens beside a thatched cottage Signed and dated (18)77, oil on canvas, 31cm by 41cm £700 - 900 |
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| 390 | |||
| John Gunson Atkinson (fl.1849-1879) "Snowdon from the River Glaslyn" Signed, inscribed with the artist's name and the title of the work on a plaque, oil on canvas, 31cm by 52cm £400 - 600 |
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| 391 | |||
| Charles Leslie (1835-1890) A mountainous landscape with figures beside a waterfall Signed and dated 1880, oil on canvas, 31cm by 61cm £250 - 350 |
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| 392 | |||
| Daniel Sherrin (fl.1895-1915) A river landscape with figures fishing from a punt Signed, oil on canvas, 51cm by 76cm £450 - 500 |
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| 393 | |||
| George Henry Jenkins (1843-1914) A river landscape with figures on a woodland path Signed, inscribed on a plaque, oil on canvas, 61.5cm by 91.5cm £600 - 800 |
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| 394 | |||
| Attributed to Edmund Bristow (19th century) "The Avon, Bristol" "Woodbridge, Suffolk" Inscribed on plaques, oil on panel, circular, each 19cm diameter (a pair) £400 - 600 |
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| 395 | |||
| Attributed to Walter Williams (1835-1906) "Grasmere, Cumberland"; "Rydal Water, Cumberland" Inscribed verso, possibly in the artist's own hand, oil on panel, each 14cm by 21.5cm £400 - 600 |
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| 396 | |||
| Attributed to Joseph Thors (fl.1863-1900) "Near Yardley" Signed, also signed and inscribed on the stretcher, oil on canvas, 21cm by 31cm £400 - 600 |
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| 397 | |||
| Circle of John Glover (19th century) "Newstead Abbey, Nottinghamshire" Bears a signature and indistinctly dated verso, inscribed and dated 1820 on a plaque, oil on panel, 18cm by 26cm £400 - 600 |
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| 398 | |||
| James Charles Ward RBA, RBSA (fl.1830-1875) "Loch Katrine" "View on the River Clyde" Both signed and indistinctly dated, possibly 1849, oil on canvas, circular, each 61cm diameter £600 - 800 |
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| 399 | |||
| Thomas James Soper (fl.1836-1890) "Henley on Thames" Inscribed on a plaque, oil on canvas, 102cm by 84.5cm £3500 - 4000 |
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| 400 | |||
| William R. Stone (19th century) Summer landscape with a mother and child on a path Signed, oil on canvas, 75.5cm by 126.5cm £2500 - 3000 |
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| 401 | |||
| James Charles (1851-1906) Summer river landscape Signed with the artist's monogram, oil on canvas, 44cm by 56.5cm £500 - 600 |
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| 402 | |||
| Henry Hillingford Parker (1858-1930) "On the Thames near Windsor" Signed, inscribed on an exhibition label verso, oil on canvas, 61cm by 92cm Provenance: Richard Green, Dover Street, London £2500 - 3500 |
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| 403 | |||
| Henry Hillingford Parker (1858-1930) "Llyn Crafnant, North Wales" Signed, inscribed verso, oil on canvas, 34cm by 52cm Provenance: F J Harris & Son, Green Street, Bath, stock no. 90259 March 1972 £1800 - 2000 |
| Auction Details - AUCTION ALREADY HELD | |||
| Summer Catalogue Sale (Day 1 of 2) | |||
| Auctioneer: | Tennants Auctioneers | Location: | The Auction Centre, Leyburn |
| Contact: | Telephone: +44 (0) 1969 623780 Facsimile: +44 (0) 1969 624281 | ||
| Date: | 13th July 2012 | Time: | 10:00AM |
| Details: | Viewing: Sunday 8 July 11 am to 4 pm Monday 9 July 9 am to 4 pm Tuesday 10 July 9 am to 4 pm Wednesday 11 July 9 am to 4 pm Thursday 12 July 9 am to 4 pm |
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| Page: | 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 | ||